#both the song and this particular version of it
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this might be a strange take but as someone who was groomed and who had what i would call an "elitist" mindset towards it, zako really seemed like it was about that mentality. of knowing you were playing with fire but feeling like you were above it. and for that i was really attached to it for the 2 hours it was out. the more logical side of me KNOWS its more likely a play off mimukawa nice try but i would love to believe it was meant to cater to a different audience than loli-cons. what's your take on the fiction vs reality of it? do you think westerners are just overreacting
I think you're interpretation of the song is valid, and pretty interesting tbh! I had not thought about that at all, and it's a case for letting people interpret the song in their own way. Instead of kowtowing to the loudest, most offended people. I also think the fact the creators literally took down the song amid backlash is pretty strong evidence they didn't make a song "for lolicons". They obviously did not anticipate this reaction, Channel admitted to having reservations, and tried to make Yuuki somewhat older-looking in the video. Whether you think she does or not, is up for (good faith!) debate. I do think she does not look like the literal box art version of the character, but that's kind of beside the point.
there is no fiction vs. reality debate because there are no real human beings harmed in the making of this song. Like, full stop. The "well kaai yuuki has a child VA" shit doesnt hold water cuz that person is an adult now anyway, and there are plenty of other songs featuring her that go wayyyy beyond this one. Like it's just something people reached for out of convienence. Same for "it violates her TOS!" like no one gave a fuck about Kaai Yuuki's TOS before it became a convenient cudgel in this particular situation.
The thing is, no one can have conversations about stuff like this in good faith because you are immediately labeled some kind of monster for trying to have any kind of nuanced opinion. Any dissent from "this song/movie/book is irredeemably evil and your sick for defending it" is taken as proof that you are a pervert monster. It's such a clear example of people, willfully and gleefully, diving into reactionary thinking without a shred of thought.
When really, I do think having an actual conversation about lolicon causing you discomfort is totally normal, and it's a pretty reasonable response to this stuff! But people can't just say that, they have to burn the whole thing to the ground, in the name of "protecting kids" or whatever bullshit they come up with. I don't actually like a good portion of Miku art for the same reasons people didn't like Zako! There was art going around on twitter of Miku with a literal binkie in Her mouth like a baby, and that shit was kind of weird! But I just didn't engage with it, that's it. People whipped each other up about the "harms" of this song, when simply not liking or engaging with it at all would have been the normal thing to do.
Freak outs like this do not protect anybody from anything. My big hot take is that having a moral panic about literally anything has more potential for actual harm than whatever it is people are panicking over. You simply cannot make rational, thoughtful decisions that prioritize protecting people from abuse when you are in a panic, or listening to people who are in a panic. You just can't!! It's not how shit works!
I know I have other asks about this, but I'm kind of trying to answer here, definitively, and let the topic dissipate. I'm glad I got the video downloaded, and we'll see what they release to appease all the weirdos who freaked out about the song. People objected to both the video and the lyrics themselves, so I don't know how they're going to come out with a new version that isn't radically different than the original. We'll see.
#vocaloid#zako#hiiragi magnetite#I myself am getting annoyed at constantly litigating this song but i liked this ask and appreciated it
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The Nested Universes Theory
and the high chance of a very literal bitter/sweet ending…
Yes, Will and Mike will end up together, but their ending may be both happy and tragic simultaneously.
(This theory may explain why the cast and Netflix executives were crying heavily when informed of the show’s ending…)
I'm warning you guys, take care of yourself while reading this. This isn't an easy read.
CW: CSA, sex, drugs, HIV/AIDS, period typical homophobia, death
Framed Narratives/Stories
Framed narratives are basically a story within a story. Common examples of this are the movie “The Princess Bride” and “Titanic”. Both stories have the story of the narrator and the story within.
Another example is Stranger Things itself. When we see the boys playing Dungeons and Dragons, they are creating a story within a story.
Sometimes, framed narratives are nested, meaning multiple layers of storytelling. An example of this would be the movie “Inception”. In that movie there are dreams within dreams within dreams… It’s a complex but fascinating way to tell stories.
Now, I do think Stranger Things is also a nested narrative story. Meaning, there may be a layer of a story that hasn’t been revealed to us yet (or more than one).
Basically I’m saying: the show itself may be a story created by some of the characters.
I’m guessing two characters in particular. Which two characters? The two most associated with creating stories. The writer and artist. Two of the characters that have existed since the show’s inception.
Mike and Will.
Multiple Universes
I do think there are multiple timelines/universes within Stranger Things… but it’s not exactly what you think. It’s not parallel universes/timelines. They do not exist parallel to each other, they exist within each other.
This is the reason for the “memory within a memory”, “play within a play” references.
It’s a story within a story within a story.
While Mike and Will are creating their DnD campaigns, there is another version of Mike and Will creating the story we see within the show.
Let’s break it down:
Inner layer: Mike and Will’s characters existing within a DnD campaign
Middle layer: Mike and Will within the show creating the DnD campaign
Outer layer: Mike and Will creating the story of the show
Mike and Will’s story within the frame (the outer layer) likely does share a lot in common with the story within the show, with one major difference:
There’s no Upside Down, and no supernatural elements. No superpowers, and no superheroes. There are still monster(s) and heroes, but these monsters and heroes are real.
Living on as “Heroes”
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Ever notice the association between characters being referred to as “a hero” after facing their demise?
We have seen this time and time again. It’s not a coincidence, it’s a pattern.
Love for horror and escapism
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@threemanoperation has a great post on Will’s love for horror.
It makes perfect sense for a boy like Will to enjoy horror. It can be a great way to process trauma and grief.
We also know even from the earliest descriptions for Mike and Will’s characters that they both love to “escape” into fantasy. They do this together, through DnD.
Gods/Puppet Masters/Creators
Within the show, there are many subtle nods to Will and Mike somehow controlling/manipulating things. These hints have lead to many interesting theories about Mike and/or Will having powers. In a sense, they both are absolutely right! But if this theory is correct, their influence over the show is mainly due to them creating it. They’re the authors, so in a way, they’re both “Gods”.
Solving the “Letter to Willy”/Lettergate puzzle
"Letter to Willy" is a song that plays over three different scenes within ST4. Each scene involves regrets, and survivor's guilt.
Max mourns Billy and reads out her letter "before it's too late" aka before she dies too.
Mike and Will have a heart-to-heart and Mike expresses guilt over El leaving, thinking there was more he could have done. This occurs while they are burying a dead man's body.
Dustin tells Eddie's uncle that Eddie died a hero, despite what the town thought.
This all leads back to Mike and Will within the story's outer layer. This also connects with the writer's incomplete letter they posted years ago on Twitter. I'll get back to this.
A father infecting his child
Oh boy. I hate this part but it requires context so…
Hopper admits to indirectly causing the death of his daughter, Sarah. He had been exposed to Agent Orange which led to his daughter developing cancer at a young age. He has remorse and has been grieving Sarah this whole time.
Now, Hopper is a decent guy and father, and is written as an almost “fix it” version of Mike and Will’s own fathers. He isn’t perfect, but he’s a man who strives to grow and improve himself.
Papa, is not a decent guy, and we also see him injecting El and Henry with needles.
So, what I’m saying is that this may be a hint to what happened to Will (in the 99/100 timeline). Lonnie is hinted to be a drug user, and it wouldn’t be far fetched to say he may have used IV drugs. Exposure to IV drugs is a way to transmit diseases, as blood may be exchanged through contaminated needles. Also, Lonnie has been hinted at, through subtext, to be a horrible monster. (<- click that link for a post about him.)
The “1/100” Timeline
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The show itself is the 1 out of 100 timeline. It is the only one where Will was not kidnapped by his parent/guardian (Lonnie).
This means, it is the one where none of the tragic stuff ever happened, specifically to Will and Mike’s story at least. They may encounter challenges, but nothing they cannot overcome together, as a team.
1983: The Demogorgon got Will. He survives the horrors done to him in the Upside Down… but barely. He is taken to the hospital and heals from it all, including flu-like symptoms (cough, nausea/vomiting).
1984: Will suffers from flashbacks. He is also plagued with the nickname “Zombie Boy” and suffering from the Mind Flayer’s possession of him. But with the love of his family, and Mike, is able to return back to his reality.
1985: He then begins to struggle with the pressures of growing up, and having to move away. Plus the Mind Flayer returns and reeks more havoc.
1986: He then moves to a pleasant place. Where things are sunny and warm. Things on the surface seem happy and “normal” but there’s a looming threat hidden beneath the surface. Henry/1/Vecna. This opportunistic threat preys on the weak and begins to take over Hawkins.
1987-1989: Will is back in Hawkins and his ties to the Upside Down increase. He can’t shake it off as easily as before. He also can’t shake off his love for Mike, who grows even closer to him. One thing leads to another and they become lovers (they have sex). They eventually are able to stop the contamination of Hawkins, and save everyone. Will also realizes that he has developed superpowers from his time in the Upside Down, through his blood. Mike also develops superpowers, given to him by Will.
Okay… you might understand where I’m going with this but I still must warn you before reading the next part. It’s devastatingly tragic.
The “99/100” Timeline
(I’m probably wrong on some of these details but this is what I theorize thus far):
1983: Lonnie “got” Will (CSA). Will survives the horrors done to him by his father… but barely. He is taken to the hospital and heals from it all and from flu-like symptoms (cough, nausea/vomiting).
1984: Will suffers from flashbacks. He is also plagued with the nickname “Zombie Boy” and suffering from the flashbacks of his father’s possession of him. But with the love of his family, and Mike, is able to return back to reality.
1985: He then begins to struggle with the pressures of growing up. Plus the memories of Lonnie return and reek more havoc.
1986: Things on the surface seem happy and “normal” but there’s a looming threat hidden beneath the surface. HIV -> AIDS. Opportunistic infections slowly begin to prey on Will.
1987-?: Will can’t shake off colds and infections as easily as before. He also can’t shake off his love for Mike, who grows even closer to him. One thing leads to another and they become lovers (they have sex). Will soon discovers he has HIV/AIDS, which he had transmitted to Mike. Devastated by the news, they do everything they can to fight it together. They cope through creating a DnD campaign together to process everything they’ve gone through. They play DnD in Mike’s basement until Will’s condition becomes critical. Will is forced to stay in the hospital, while Mike is unable to visit (strict rules about visitation due to the disease and because they aren’t/cannot be considered legal partners). So, Mike does the only thing he can do: he writes letters to Will and continues the story. Mike eventually loses Will, for real this time. He’s devastated, and plagued with grief, depression, and survivor’s guilt. He didn’t complete their story in time. But his family and friends support him and encourage him to finish the story. To change the ending before his time runs out too. He completes their story himself, and reads his final letter to Will’s grave.
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“anyway I think you’ll like [the ending]. sorry I couldn’t get it done [on time] but you mean so [much to me] and it’s been [so hard being without you] hope this is [enough to] last until [we meet again]. Love, [Mike].”
Attached to this letter is the full campaign. The full story of the show itself, which started on November 6th, 1983. He successfully turned back the clock, and changed their ending. They became superheroes within their story, saving Hawkins with their love. Mike dies soon after and we are met with…
Mike and Will reuniting within their own story. Blue meeting yellow at a gate, one final time, that leads “into the west”.
They continue their story and it’s a never ending story… Living on as heroes, forever and ever.
Some thoughts:
To simplify things, I didn’t include other characters much here but they likely all play an important role in the story. Many characters likely only exist within the mid layer (the 1/100 timeline).
I do think their story likely will be published, and this will be done by another character (my guess is Lucas). Their story will impact others profoundly, perhaps completely altering perspectives. This will lead towards positive change, and increase pressure for the development of a “cure”.
Lonnie obviously dies too, but we won’t see it. He’s significant but irrelevant. We don’t need to see him. Perhaps he rots in jail.
If characters like Nancy, Jonathan, Joyce, and Hopper all exist within the outer layer (the 99/100 timeline) in a similar way, they too may be inflicted with HIV/AIDS. Remember, it wasn’t just gay men, everyone was affected by this awful epidemic.
The time period is super relevant in this story. There’s no way that HIV/AIDS will not play an important role. Think about it… it revolves around two gay boys growing up during that time. This epidemic was widespread and terrifying. Had they been born a decade later, there would have been treatments/“cures” accessible to them.
The biggest reason why I strongly believe this theory is because… this is basically the ending of Stranger Things season 1, on a much grander scale. Think about it. Mike changed the ending of the DnD campaign so Will could be a hero, not a victim. This was further established in the comics.
While Mike and Will within the outer layer (99/100) have a tragic ending, Mike and Will within the show (1/100) do not. They beat the odds. Although it is undeniably a tragic end, remember that somewhere out there Mike and Will are still playing DnD and Nintendo for the rest of their lives.
Free Will and Writing your Own Ending
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Free will has always been a reoccurring theme within Stranger Things; meaning we can choose our own destiny, fight chance, and beat the odds.
Do we truly have free will though? Obviously, we don’t know. The point is, we should still live life as if we do have it. To take control where we can, and not let external forces dictate who we are and what our destiny is. I think that’s the message there.
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"I Love Jealousy" by Melomance
#melomance#I need you all to understand how much I adore this#both the song and this particular version of it#also his VOICE is soooooo incredible..#the instrumentalists are so good#and melomance's pianist is so funny and incredibly skilled#as a jazz pianist... I want to play like that#songs#also obsessed with the way he communicates with the drummer#like. that's how you speak drummer lol
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thinking about one of my favorite vocal performances from scott on valley of song,,, (since afaik this one isn't getting a video and therefore won't have its moment in the spotlight i thought now is as good a time as any)
#love the melodica (or at least what sounds like a melodica) in the instrumental mix too!#i saw a recording of a 2022 live version of this song that had scott singing it in his more typical range#and i just want to thank whoever told him to try singing it lower bc it sounds so much better (both were good but this is superb)#my other favorite vocal moment from scott is the pre-chorus on evangeline (like the super shouty part)#bc of course the old album had shouty moments but comparing that to how melodic/controlled the shouting is on evangeline?#genuinely proud of how far the vocals have come#i think my favorite vocal moment from paul is all of gerbil (especially comparing it to the version from the 2016 live album)#but spoiler alert gerbil is getting a video and it's one of my favorites#there's 3 videos left. all 3 are great but there's 2 in particular that i'm so excited to start sharing with people#Youtube
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when the video game final boss theme is an orchestra version or remix or full/vocal version of another song that plays earlier in the game
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#shoutout to sonic frontiers and sonic unleashed and sonic and the black knight in particular . also splatoon 3#Also when an ending theme is a vocal version of a song that played earlier shoutout to sonic frontiers again . both endings .#sonic frontiers#sonic frontiers spoilers#tagging just in case
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... come to think of it "Table" is also pretty damn emblematic of Tanger's Jedi Order
#give Sith daughters 2k14#... mind 10 years later I am less shy at making characters nonbinary and Tanger no longer really identifies as a *daughter* per se#yes I have never really publicly posted much about this or even necessarily written much of it down soooo#no you almost certainly have no idea what I'm talking about#“let me fix you a plate” and salt “on the wicked and righteous/the lay men and saints” would both be extended to their father#in this particular circumstance “he” in the song is eir teacher: force ghost Qui-Gon Jinn#it is like... not so dissimilar to Luke's version in 90s EU content
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for interested parties, Here is the song about which I was rambling in the previous post.
#em is posting about sharpe#ballads and things#this is both a fascinating variation to me and a fascinating album as a whole...#there is music that is Not in the show in here. the version of the theme is full orchestra but contains Screams and Ouches still.#back on point which is about this particular version of johnny has gone for a soldier.#One I love any version of a folk song that doesn't change the pronouns to maintain the heterosexuality. thank you mr tams.#Two I'm Interested in the position of the song in the Show as a thing that Hagman sings of course.#new and ponderable context given that hagman is himself a soldier! and also that about half of the gendered lines are left out!#and as fond of I am of crossdressing ballads I do enjoy a gentle Hmm at leaving out the 'dye my petticoats' verse#and leaving in 'I'll even sell my spinning wheel / to buy my love a coat of steel'... I Am Thinking Thoughts. You Know I Am Thinking.#and Three I am thinking about how the chorus is going to be so tricky for me because I'll want to slant 'his nets and creel are laid away'#to rhyme with 'siúil siúil siúil a grá' and not 'til he comes back I'll rue the day' because I'm so used to having to slant things to rhyme#for when I'm singing my preferred version of sheath and knife even though that's not how I'd Say them in my natural accent#Youtube
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yeah i'm one spoon away from setting the ends of my hair on fire if i'm kindling for a little while at least i'll feel of use... promise me that you'll start where i end and i promise to give you everything that i am and it goes on, and on, and on... we'll go on and on and on in the end all i hope for is to be a bit of warmth for you when there's not a lot of warmth left to go around.
#(aka one of thor's many many many musical anthems that resides in my head)#(like gosh this song is PERFECT for the kind of thought processes that thor goes through on the daily?)#(the constant stress / the feeling you're only of use when you're burning alive)#(being happy and contented with that in a twisted kind of way because you may be burning but your kindling-)#(-will keep others warm like haha wow)#(really is the embodiment imo of thor's particular brand of self-sacrifice)#(steve does it for justice and standing up for the little guy which is honorable in and of itself)#(it fascinates me CONSTANTLY that thor legitimately does a similar thing...out of nothing and for nothing but the sake of love)#(whether it's love for his family / his homeland / for earth / for the people who live all across the universe)#(he just loves??? ALL of it. and of course there are some limits and he's not going to bumble over himself-)#(- to love another. but the idea of quasi-unconditional love that stems from this guy in his own way)#(i've always loved that about him and his values as a superhero the most)#(honestly i've loved steve's version of it too but having deep-dived into both men the past couple months)#(thor comes out on top every time)#( music . ) — the spirit of thunder is to be heard .#( ooc . ) — stories that leap from the page .
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#Tales of Crestoria OST#i could have put this in order with the rest of the soundtrack but no i didn't want to i wanted this one first#This was from Rays' files and I chose to upload this one first because it's actually looped while Crestoria's files don't loop its OST#I'll probably upload those too but I wanted to go with a loop version first#Rays doesn't have all of Crestoria's OST in its files but it does have a handful#and since those have looped versions I'll just probably upload both for those particular songs
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I’ve seen some people complaining about the remix of Color Pulse, but I think it’s really interesting on a meta level. Time in the Splatoon world is still moving forward. Both Pearl and Marina have aged in the game AND in real life! Pearl is 26 now! She’s nearing 30! Of course her cadence and rhythm will have changed! Same for Marina! And behind the scenes the voice actors have aged 7 years too.
That’s a novelty of Splatoon that makes it feel so realistic and vibrant! Things do change over time! The hub worlds change, the shops change, the characters change… this new remix reflects that change.
But what’s more interesting to me is how their new song “We’re so back!” shows how much both of them have matured. Pearl in particular is less energetic and bouncy than she is for Color Pulse. Don’t get me wrong, she’s still spitting bars and doing high kicks… but there’s now a much more refined and reserved attention to her dancing than we’ve seen from her in the past. It’s almost Squid Sisters level of choreography. I think that reflects her maturity.
Likewise with Marina, she’s much more active than she was in Color Pulse. She’s no longer stuck in the background occasionally going back to her keyboard during the song, now she plays a keytar and dances in sync with Pearl. It seems like she’s less shy and much more comfortable with herself. And that makes sense narratively too since at the start of Splatoon 2 she was sort of hiding her Octoling roots, and by Splatoon 3 the Inklings and Octolings are living their best lives openly together!
I’m not saying you have to enjoy the remix. Personally I prefer the energy of the original song better. But I don’t think that the new version is terrible either. It’s just different. Because they’re different! You can really see how much they’ve grown in these past 7 years. And that’s ultimately a good thing!
#splatoon 3#splatoon#splatfest#off the hook#pearlina#pearl houzuki#marina ida#color pulse#we’re so back
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cables and crackle ꩜ jihoon x reader.
♬⋆.˚ It's goosebumps when you hear the drums / The running start before the big jump / It's that feeling, so stellar / Bro, if you like her just go and fucking tell her!
🎸╰› includes: f!producer!reader, feelings realization and denial, jihoon has a crush <3, pining/yearning, fluff, [light] angst, first date, confessions, references to producing (that may or may not be accurate).
💽╰› this is part of my ongoing series, buzz (seventeen's version) + this piece is inspired by track 01, buzz. word count: 13,800+
When you first started working with SEVENTEEN three years ago, Jihoon wasn't all that excited to have you around.
Perhaps it was his pride. BUMZU and PRISMFILTER had been the company's go-to's until they decided they wanted to bring in someone fresh, new, up-and-coming. You had been the result: Someone two years younger than Jihoon. Scrappy and hungry. Experimental, ambitious.
His hesitance at your music production has morphed from begrudging respect, to genuine appreciation, to something akin to admiration. Jihoon would never say it out loud, but you've grown to be one of his favorite producers to work with. (He doesn't have to say it, really. Everyone is already privy to Jihoon's biases.)
Now, three years in, Jihoon finds himself trying to reckon with a foreign feeling—
The flutter of his chest as you walk in to the studio. The stutter in his pulse as your fingers lightly brush over the digital audio workstation. The hitch of his breath as your head, ever so lightly, falls on to his shoulder the longer the evening drags on.
Jihoon is a 27-year-old man. As he tries to stay absolutely still, there's only one thing on his mind: Wasn't he too old to have crushes?
You could usually keep up with Jihoon when it came to these long-night sessions. One had to, considering how he was practically nocturnal at this point. But it had been a long day of minor misfortunes, the type that wear you down bit by bit.
You don't even seem to notice that your head is lolling to one side. When your cheek lands on something solid, you might think it's the back of the chair next to you— except it's Jihoon's shoulder, and he absolutely freezes underneath you.
He would be the first to admit that this isn't the first time you've ever been this close. There's been many times your bodies have gravitated to the same spot on the couch, or times when your heads are practically glued to one another while your hands are both at the keyboard, or during the times your feet accidentally meet with each other under the desk.
It's just never been this close, where Jihoon can feel the brush of each of your lashes against his neck every time your eyes fall shut.
He think he might pass out if he dwells too much on it.
He watches from his peripheral vision as your eyes flutter shut, and he thinks, for a moment, that you're out of commission. But then, you mumble, "The reverb on the snare, just now."
If you hadn't been right next to Jihoon's ear, your words might have been drowned out by the speakers. But, as it is, he hears you loud and clear. "Too heavy," you go on to say, without even opening your eyes. "We need to dial it back for a cleaner sound."
There it is, he thinks with both awe and bitterness. Even half-lucid, even half-asleep, you're still as brilliant as you've ever been.
"Mhm," he hums lowly. "I'll adjust it."
He does as you've asked. When he runs the track back, you let out a soft sound of contentment and shift slightly in your seat, blissfully unaware of how you're leaning more weight in to Jihoon's side. It's absolute torture, he thinks.
"Better," you mutter. A beat. Your drowsy inquiry comes in next. "How do you feel about the tempo in the bridge?"
He forces himself to pay attention. He runs the song back once more, this time paying particular attention to the bridge. It doesn't take him long to identify the issue— one of the main ones, anyway.
"A little too dragging," he replies. "It slows the track down a bit too much. I think it disrupts the flow. Makes the chorus—" He suddenly stops mid-sentence.
Because, for some reason, he's become acutely aware of the way your head fits perfectly into the crook of his shoulder.
He's now fully conscious of how close you are. Of the way your breath fans against his neck. Of the way your knee seems to bump against his whenever you unconsciously readjust your position.
Jihoon feels his pulse pound at his chest as he tries to keep his tone steady.
"It disrupts the flow," he repeats, his voice slightly gruff. "Makes the chorus less of a… high, for lack of word."
When your initial response is a thoughtful hum, he bites back the urge to smirk. It should come to no surprise that you're about to disagree with him. More often than not, you butted heads over minor things like this.
"Thought it was too fast," you grumble, somehow sounding a little sulky because of your drowsy state. You're usually a lot more adamant and fiery when it comes to asserting your opinions. But in the late— or early, since it's already past midnight— hour, you've tamped down my temper.
It does absolutely nothing for Jihoon's poor heart.
Your cheek nuzzles against Jihoon's sweater as you shake your head in a very that won't do manner. "The lyrics might suffer. Try slowing it down by 8 BPM so we have more space for vocal delivery."
8 BPM? Jihoon nearly chokes on an incredulous laugh. The number is so arbitrary, so out of pocket. "The tempo's already sitting at 139 right now," he bites out. "It's not like slowing it down by another 8 BPM is going to—"
Jihoon makes the mistake of glancing down at you, and damn it. You're not just leaning against his shoulder at this point.
You've practically cuddled into him.
Jihoon's breath catches in his throat as you shift once more, leaning your chin against his shoulder.
He finds himself wanting to wrap an arm around you and pull you closer. Press you into his chest until your cheek is up against his. Until your head is tucked right under his chin.
But then you're grumbling out your next words. "139?" you repeat. "Notch it down by 9, then."
The slur in your tone is just enough to remind him that you're not entirely coherent. He swallows hard, his fingers a little too gentle as he inputs the changes. 9 BPM it is.
It's a bad call, one that's made abundantly clear when Jihoon plays the track back. He doesn't even have to tell you; you're already groaning, pressing your face in to his shoulder. Your words are muffled against the soft material of his sweater.
"You were right. Should have amped it up instead of slowing it down," you mutter, though there's a distracted edge to your tone. He gives it a cursory couple of seconds, letting you gather your thoughts.
"There's an issue with the kick and the bass, isn't there?" you note.
He listens closely— and, as always, you're right. There's a dissonance between the kick and the bass.
Jihoon frowns, a little more focused now. "Yeah, I hear it too," he manages to say succinctly.
His brain is still trying to conjure up a solution when you let out a slight huff and finally peel away from Jihoon's side. He doesn't know if he's grateful or disappointed because of it.
You're bleary-eyed and your fingers fumble but your work is efficient as you click away at his mouse, at his digital audio workstation. He watches with a straight face as you add sidechain compression to the bass, as you drag the bridge's BPM up.
It's not just the music that's synced, but the way the two of you work as well. A little push, a little pull, and you manage to find balance. You know exactly what to do, even when you're tired.
Jihoon listens closely as soon as the bridge plays back and he's pleasantly surprised.
"That fixed it," he says, his eyes darting rapidly as he takes in the revised audio levels. "Yeah, I think it's good. We should move on to verse three now."
"Jihoon."
He blinks and glances over at you. You've slumped back heavily in to your chair; it spins slightly on its wheels when you do.
"I'm not going to make it through another verse," you warn. "I think I need, like, a power nap."
"Power nap?"
Despite Jihoon's best efforts, a corner of his mouth twitches. A glance at the clock tells Jihoon that it's past one in the morning. They'd been working on the track for a solid eight hours now.
He lets out a low, considering hum, before looking back at you with a slight frown.
"How long is this power nap supposed to last?" he asks dubiously.
"I only need fifteen minutes," you respond.
There's a decisiveness to you tone, one that brokers no argument even if you're rolling your shoulders from sheer exhaustion.
"You're too stubborn for your own good," he replies, though not unkindly.
He rolls the chair back, moving so that he's facing you fully. One leg is crossed over the other, his eyes studying you carefully. He's going to attempt to convince you, obviously.
"You need a good night's rest. You won't be any use at all when you're this tired," Jihoon insists, but he immediately regrets his choice of words when he sees you wince slightly.
You're no stranger to his bluntness; you know just as well that he can be both brutally honest and painfully inconsiderate. That he shows his care and concern in much more roundabout ways compared to others.
And so when you insist that you'll be good as new in fifteen minutes, he can only sigh, leaning forward to rest his forearms against his knees.
"And if you're still tired after fifteen minutes?" he counters. His tone is gentler, softer, this time.
"I'll go home," you grumble, like the thought physically pains you. "If I'm still out of it after my nap, I'll go home."
Jihoon feels some of the tension in his shoulders abate as you finally agree to a compromise. "Fifteen minutes," he reiterates firmly, holding up a single finger for emphasis. "And if you're not ready to work again by the end of it, I'm driving you home."
You open your mouth, almost like you're about to argue at the thought of Jihoon driving you home, but then you opt to purse your lips. You know how the two of you can go in absolute circles some days and so you merely shoot him a heatless glare before stalking over to his studio's couch.
It's not really the type that should be slept on. With its stiff, black leather, the couch is an awful makeshift bed for anyone. But you and Jihoon have figure out little workarounds after spending so much time working together— like the fluffy, folded comforter at the foot of the sofa and the throw pillow that's shaped like an onigiri.
Jihoon watches with a small smile as you curl up on the sofa, underneath the blanket and with the pillow. "G'night," you call out mid-yawn. "See you in fifteen."
He watches you for a beat longer, his eyes tracing the way your expression relaxes, just a little, as your head hits the pillow. After a moment, he manages to tear his gaze away. He really had to work on his habit of staring.
"Yeah," he huffs as he tries to go get a head start on the third verse. "Night."
It's difficult because he can't help but steal glances, and every single time he does, he's struck by a wave of affection. You're so small, so fragile-looking, burrowed in to the sofa. He notes the way the pillow's slightly squished underneath your head, your face half-buried in the plush material…
He almost feels the urge to take a picture just to capture the scene.
And then he realizes: Why not? You're friends, aren't you? And friends take embarrassing photos of each other.
He picks his phone up from his pocket with one hand and angles the camera with the other. He knows just what he wants to take a picture of. The way your cheek is squished against the rice ball pillow, just barely visible underneath the edge of your tangled mess of blankets. The way your expression is relaxed, softened in sleep, with the slightest pucker to your lips.
He presses down on the snap button, and the shot is just perfect. The way the glow of the monitor catches in your hair, bringing out the natural color. The way your eyelashes fan out over your cheek, and the way the shadows highlight the sharpness of your features.
Jihoon's eyes linger on the image, something akin to longing twisting in his gut.
This time, he doesn't bother to push the feeling away. He does go back to work, though.
Fifteen minutes pass. And then twenty, thirty. The longer you sleep, the more Jihoon's guilt gnaws at him.
He knows he's about to wake you up, to ruin the temporary blissfulness that sleep has brought you. He knows he's about to drag you back to the studio to work again, despite the bags that are under your eyes and the exhaustion that is evident in every line of your body.
He knows he's going to be the cause of your fatigue. And he hates that— hates himself, just a little, for his need, his drive.
Still. At the thirty-minute mark, he makes his way over to your side. He reaches out, fingers hesitating for a second, before he gently shakes your shoulder.
"Hey," he calls, his tone soft and neutral. "Wake up. We need more work done."
It's very likely that the unceremonious way you've been dragged out of your sleep has gotten to you, because how else can Jihoon explain the way you drowsily move to hold him?
Your fingers reach up and curl gently around his wrist. Your eyes are still closed as you exhale, "Jihoon-ah."
It's more of a whine than anything, really, but it's one that he can't deny, not when you clutch his wrist like that. "What," he asks, his tone flat out of panic. "What is it?"
It's surreal, in a way. The way your tiredness has loosened your inhibitions, has stripped you down to the simplest, most vulnerable version of yourself, one that's practically begging for closeness.
You give his hand a gentle tug. "Come nap with me. Y'need to rest, too."
Jihoon's mind goes blank the moment the words leave your mouth, his whole body freezing. Because no, he didn't just hear that, you didn't just ask that—
And then you tug on his wrist again, and he swears his heart stutters.
On one hand, the rational, reasonable part of his mind is screaming at him to push you away, to reject the idea entirely. He needs to focus. He needs to finish the track. He needs to work, not rest.
But then he looks down at your sleepy form, the way you're clinging on to him, and all those thoughts are thrown out the window.
Slowly, Jihoon lowers himself onto the couch, his body sinking against the plush material. It's a tight squeeze. Months ago, the two of you might have called each other ridiculous for even trying to fit in a piece of furniture that was clearly not for two people to lay on.
The thick of comeback season absolutely shatters any attempts of appropriateness or discretion. As Jihoon complies with your absurd request, you somehow manage to throw the blanket over the two of you.
Jihoon isn't a stranger to casual touches— he's had to survive through years of constant skinship between the members— but there was something different about this.
The feeling of your body, curled against his own. The way you hold his fingers in your grip, like a comfort, like an anchor. The scent of your hair, so close he could just nuzzle his face into the messy strands.
He tries very hard to focus on the negatives. On how cramped and uncomfortable the couch is, how he's going to end up with a backache—
— but his mind doesn't want to cooperate. Because all he can see is you, all he can feel is you; the way your soft, warm body is pressed against his own, the gentle rise-and-fall of your chest against his, you, you, you.
His mind goes blissfully vacant, and before he can even think to stop himself, Jihoon is wrapping his free arm around your waist, drawing you in.
Jihoon doesn't mind the sudden increase in body heat that comes with having you pressed so close to him, not when your back is solid and warm against his chest, not when the curve of your hips slots so smoothly against the shape of him.
He lets out a shuddering breath as you press his palm against your stomach, the fabric of your shirt slightly rucked up by the motion. You're so soft.
For once, Jihoon finds himself hating everything else— the studio, the album, the uncomfortable sofa, this damn comeback for robbing him of an opportunity to simply hold you.
Jihoon swallows, his throat suddenly dry as the words slip past his mouth before he can even stop himself.
"You're too close," he mutters in your ear, his lips so close to the shell that he's half-convinced you were going to feel his words against your skin. He's being a hypocrite, really, since he's the one holding you, but he needs to maintain some sense of propriety.
"Mmm," you hum, still more asleep than awake. You exhale an apology as you try to sleepily shift away, mumbling something like "didn't notice" in your languid effort to disentangle.
Your movement has to be the most half-hearted attempt at putting space between the two of you. So Jihoon tightens his grip, his fingers curling over your hip to keep you from shifting away.
He doesn't want you to move, not even an inch— and it's greedy of him, really— but the thought of losing the heat from your body is more than he can bear, not when you're here and you're so close.
His hold is firm, almost demanding. As you settle back down, Jihoon buries his face against the back of your hair, his mind going blissfully quiet.
"Dunno why y're so cozy," Jihoon murmurs, his words slightly slurred with the exhaustion that's catching up on him now, too.
He tries not to think too hard about it, the intimacy of it all. He tries not to focus on how he's practically molding his body against yours.
Just a nap, he thinks. It's just a nap.
Your voice is so soft, so quiet, nearly lost against the sound of Jihoon's thrumming pulse in his ears. He catches it anyway. Your quiet murmur of "G'night, Jihoon-ah."
He feels strangely light-headed. It's hard to focus, hard to think, his thoughts fuzzy around the edges as he slowly starts to succumb to drowsiness.
Jihoon lets his lids flutter shut, his mind sinking into darkness. "Sweet dreams," he mumbles back.
In the end, Jihoon is the one who has sweet dreams.
They're fractures of a bigger picture, pieces to a puzzle he could never piece together.
He sees your tired smile, hears your soft laugh, feels the brush of your hair against his chin. He sees you in flashes, in glimpses, always out of reach. Never close enough.
They're so vivid, these dreams— so real— that Jihoon swears he can almost feel you, can almost hold you. When he reaches out for you, for the dream version of you, it feels like he's grasping at air.
There are hints of other things— flashes of studio lights, melodies and songs that drift in snippets. But they all fade to the background in the face of you, the way you shine in his dreamscape like a sunbeam.
Seungcheol is the one who finds Jihoon and you the next morning— or, rather, the next early afternoon.
He's not surprised to hear that Jihoon didn't come home to the dorm. He's not surprised to find Jihoon asleep in his studio. He is surprised to find Jihoon spooning you— his co-producer, the one they all thought he was a little too soft towards.
Seungcheol's eyebrows raise to his hairline. Jihoon was never the affectionate type. And yet here he was, curled around you like a parentheses. Seungcheol takes a quick picture on his phone before gently nudging Jihoon with his foot.
"Yah," the leader says, his hands in the pockets of his sweatpants; his tone, a little too-amused. "Jihoon."
It takes a few nudges for the words to register, for Jihoon's sleeping mind to slowly come back to the world of the living.
He feels… groggy. Exhausted. And strangely warm.
After several long moments, reality catches up with him. As his sleep-addled mind slowly pieces everything together, Jihoon's eyes flutter open and it takes all of two seconds for him to process the fact that he's spooning you.
Jihoon's eyes widen, and his head snaps up to a grinning Seungcheol.
"This isn't what it looks like," Jihoon says immediately, his words tumbling out of his mouth in a rush.
He almost screams when he tries to move away, when he tries to untangle himself from you, and your soft, sleepy whine sounds more like a protest than anything.
He should've let you go. He should've, but when you make that noise, when you curl in closer to him, the part of Jihoon's brain that's awake shuts down entirely.
Jihoon freezes and tries desperately to ignore the way Seungcheol snickers.
Seungcheol keeps his hands in his pockets as he watches Jihoon with growing amusement. Put-together, frumpy Jihoon, stunned in to silence because his co-producer is latched on to him.
It is, as Jihoon had said, very much not what it looked like. Seungcheol can see that the two of you are still fully clothed. Hell, he wouldn't have even imagined Jihoon going that far when the boy barely thought of romance that way.
Still, it's just a little funny. "Long night?" the leader drawls, not even trying to conceal his sheer mirth at the situation.
Long night is a huge understatement, and Jihoon shoots Seungcheol an acerbic look that's not nearly as effective as it normally might be. Not when he's still trying to detangle himself from you without waking you up.
"You have no idea," he grumbles under his breath, his eyes flickering down to your exhausted expression as you cling to him.
He can feel the way his heart stutters at your closeness, the way his chest tightens. Not the time, he scolds himself.
"We were working on the album," Jihoon says, as if that explains everything.
He's given up on trying to move, because he knows that if he keeps trying, you're going to stir— and the last thing Jihoon needs is an awake you, all warm and soft and adorably disheveled.
"Can you... leave?" he croaks to Seungcheol. Jihoon's cheeks are tinged with a furious red color; he prays to any deity that Seungcheol will simply chalk it up to shame. "I'll give you details later, just..."
Jihoon shifts minutely, and a muted noise of protest escapes from you. He shuts his eyes and sends a silent plea at the ceiling of Please, God, not now.
Seungcheol, for his part, lets out an amused huff, the corners of his mouth twitching. "Alright, alright," the leader says, holding his hands up to show he's conceding. "I'll leave. I'll talk to you later."
He grins. "And try not to have too much fun, yeah?"
The smirk only widens when he sees the flush on Jihoon's face. The leader saunters out of the studio, the door clicking shut behind him.
And Jihoon is... well... left with you.
Silence descends, and it's deafening.
Jihoon can feel each and every beat of his own heart, can hear your slow, soft breath coming out in steady, even exhales. You're asleep— still clinging on to him, your body pressed firmly against his own— and Jihoon tries not to focus on the feeling, tries not to think about how you're so soft, so warm.
He should move, he thinks. He should untangle from you, put at least two feet of space between you, and yet.
Jihoon can't, not when you look so peaceful against him. Not when you're making little noises every now and then, the soft, low sounds coming from somewhere in your throat.
It's a special kind of torture, having you so close when he knows he can't do a single thing about it. Just a taste, an inkling of closeness— and now he's hooked, wanting for more.
He knows it's selfish, what he's doing. To have his arm wrapped around you, holding you tighter than he should. To relish in your warmth as you sleep— but Jihoon can't help it, not when he knows this might be the only way he could ever get to hold you.
He knows you're not his. You can't be his, for several reasons.
But for this brief, quiet moment in time, you feel like you could be.
There's no way of telling how much longer you stay there. To Jihoon, it feels like an eternity and then some; in reality, it's probably only a couple more minutes. You shift in your sleep, letting out a big yawn. Jihoon tries to not flinch when you stir.
For one ridiculous moment, he considers closing his eyes and pretending to sleep, so he can have a few more seconds, a few minutes longer with you in his arms. But then you're moving again, and Jihoon can feel his heart in his throat as you blink, shifting to look up at him.
"Huh," is the first thing you say as you squint up at him. "Hi."
"Hey," is his lame response, his tone oddly, uncharacteristically soft. He swallows when he catches the way your eyes flicker all over his face, as if drinking him in.
There's a lot to take in, he's sure. His arm is still around your waist and your leg is slotted between his. The blankets are a mess; the noonday sun, peeking through the studio's heavy curtains.
As your mind finally seems to catch up, you let out a groan. "S'rry," you slur, voice still thick with sleep. "We overslept. I'm a bit clingy when 'm tired."
Yeah, right. Clingy is not a strong enough word for what you had become in your sleep.
Jihoon tries to ignore the feeling of your legs tangled together, the way you're practically molding against him. He tries to tamp down the way his breath hitches, to ignore the way his heart skips a beat when you let out a sleep-filled groan.
"You were hanging on to me for your life," he remarks in a tone that is far more amused than exasperated.
"Yeah, I figured," you say wryly, glancing over at the clock to see the damage. Jihoon's eyes follow your gaze. Two in the afternoon. Your shared 'nap' had lasted a full twelve hours.
"Wow," you huff. "We were out for a while."
"That we were," Jihoon agrees, and he's more than a little reluctant when he lets you go, unravelling his own limbs from yours. The space between your bodies feels like a physical blow, but Jihoon tries not to seem too put off by it.
He sits up, running a hand through his hair. "I haven't slept that long since I was a trainee."
"That's unhealthy."
"Pot calling the kettle black."
There's a calculated casualness in your next words. "Did you at least sleep well?"
The slight concern undercutting your tone makes Jihoon rather light-headed. "I slept like the dead," Jihoon answers easily, and he doesn't even have to lie about that.
His rest had been more peaceful than it had been in years, and if he's truthful, he'd blame it all on the fact that you were wrapped so firmly around him, all soft skin and sleepy warmth. You'd fit so perfectly with him and Jihoon is fairly sure he's never going to get the sensation of you pressed against him out of his mind.
A corner of your lip twitches upward. "Don't say that," you tease as you stretch your arms over your head. "Because we may actually be dead soon enough."
There's still an album to finish. A couple more tracks due in mere days. But Jihoon's suddenly feeling much better in a way that he hasn't in a while.
Even the ever-present stress and exhaustion feels almost like an afterthought, like it's barely even there. In the midst of it all, there's only you, still mussed from sleep.
It helps that you're taking the little cuddle session with surprising grace. "Wanna order in breakfast? Lunch?" you inquire, like you can't quite decide what to call your first meal of the day when it was well in the afternoon.
"Breakfast-slash-lunch sounds good to me," he answers, a hint of a smile visible in the curve of his mouth.
You order Chinese food. Something proper and real, a break from the convenience store rice balls and energy drinks. In the time it takes for the takeout to come, you and Jihoon speed through the song that had been plaguing you both last night. It seemed that being well-rested did you both well.
When the food comes, you go to collect it. In your absence, Jihoon finally checks his phone.
Suddenly, the studio feels ice cold, because he has seventy-something unread messages from his group chat with the boys.
He clicks the little arrow that takes him back to the first unread message, and surprise, surprise— it's from Seungcheol. The stolen snap of Jihoon and you cuddled together glares up at the producer, paired with the world's most annoying message.
🍒: Our Woozi-yah's a big boy now. ㅋㅋㅋ
The messages don't stop there, because Seungcheol had essentially given the others the green light to blow his phone up.
Jihoon scrolls through them, his expression growing more and more irritated as he reads through the suggestive and ridiculous messages the boys have chosen to send.
⚔️: Jihoon-ah~ Who knew you had it in you~ 🐈⬛: finally! 🦦: LET'S FUCKING GOOOO
Jeonghan, as per usual, is the worst offender of them all. Jihoon is just about to try and get a word in when a new, rapidfire sequence of texts pop up, the second eldest member clearly having entirely too much fun with this.
👼: So cozy, our Jihoon-ie! So cozy ♡ ♡ ♡ 👼: Finally, our Jihoon found himself a pretty girl 👼: We didn't know you were such a cuddler~~~
Jihoon's fingers are itching to reply something back, but it's hard to even make sense of the messages; they're coming in so fast. Every time he tries to type something back, another notification pops up with more texts, so he's forced to sit and watch as the members tease him relentlessly.
But then—
🐱: Cough up @Joshua @Vernon 🐢: dammit. couldn't have waited four months, woozi hyung? -_- 🦌: I didn't lose as much, so it's okay~ 🐯: WINNER WINNER CHICKEN DINNER
The other boys all chime in with their own odds, and Jihoon realizes with horror that his bandmates had bet on him.
The horror quickly morphs into disbelief mingled with irritation.
So they'd bet on him? And on what exactly? That he wouldn't fall for a girl over the course of three years working together?
He doesn't even look at the odds before he types an aggravated reply.
🍚: You guys bet on me???
No one even tries to deny it. Soonyoung, the menace that he is, is the first to respond.
🐯: Not all of us ఇ ◝‿◜ ఇ 🐈⬛: and it's just if you'd get with your fav producer. lol
It occurs to Jihoon, then and there, that the boys presume him and you are dating. It's a misconception he has to amend before any of the twelve can make some wisecrack about it in front of you.
🍚: We're not dating.
Jihoon doesn't bother to hide his irritability.
🍚: We were just napping together.
It's not the last of it, as it turns out.
More texts flood in after his message, and while there aren't as many jokes as before, it's easy to tell that the members are just dying to tease him about this whole thing.
When you return to the studio bearing your takeout, you're greeted with Jihoon typing furiously away at his phone, a disgruntled sort of look on his face. "You alright over there?" you call out amusedly as you pad over to the studio couch.
"Yes, and no," Jihoon answers shortly, a hint of petulance to his tone. If he looks up at you, it's only for a moment.
For someone who tends to be stoic and brooding, he's not exactly having the best morning right now. Jihoon is more than a little annoyed from the relentless teasing, and while he tries to fight it, there's a lingering feeling of humiliation, too.
A part of him wonders if this is what he deserves— for having had that moment with you this morning.
"Well, whatever it is—" you give a dismissive wave of your hand before plopping down on the couch.
He almost smiles at that; you've known each other for an odd number of years. It was enough time to be fairly acquainted with each other's habits and mannerisms, to know when something was worth pressing in to or not.
"Come on," you urge him. "The faster we eat, the sooner we can finish."
"Okay, yes, I'm coming," Jihoon answers hurriedly, and he makes a hasty beeline for the coffee table, where your takeout boxes are set out neatly.
He gives the group chat a final glance, just to make sure they're not texting anything too embarrassing. The more he scrolls the more he's bombarded with messages about you, and you would have thought the group chat was dedicated entirely to you, considering the number of texts.
He groans and locks his phone, turning it face down on the table as he takes his seat.
"Here," you say as you gently place Jihoon's order in front of him. Chao fan with a side of sweet and sour pork; a can of cola.
The way you seem to automatically know all the things he orders, the way you know what the right order to pick for him is, it almost gives Jihoon the sense that you've been working with him for even longer than three years.
He's not sure what to make of it, but it feels strangely nice, somehow, knowing that there's always something or the other that you would already know. He takes a bite out of his meal, wondering when it was that this relationship of his with you had become so comfortable.
It's an odd sensation, really.
Jihoon had always been more than content to keep to himself. But there's no denying that he feels a certain kind of peaceful contentedness when he's with you.
Perhaps it's how the two of you work so seamlessly together. Perhaps it's how you somehow managed to get under his skin. There's a certain comfort that Jihoon isn't used to having that's settled around the two of you.
And it's the kind of comfort that might make him vulnerable.
He can't have that, so he privately decides to keep you at a distance.
It's a distance you reciprocate. Both Jihoon and you know better than to tread the careful line of your friendship, especially in your line of work.
The two of you work like a well-oiled machine, like a lit match being tossed in a haystack. Jihoon and you are relentless, as always, and you finish off the rest of the mini-album in the next three hours.
There's still fine-tuning to hurdle through, but as Jihoon and you replay the last track for the first time, he has to concede. The worst is over.
You slump forward in your chair, your forehead resting against the work desk of his studio. "Done," you breathe. After a moment, you add, "For now."
"For now," Jihoon echoes.
There's a long pause between the two of you as you both relish the peace and quiet of a fully completed mini-album.
"Let's go for coffee?" he finally asks, glancing to where you're slumped in your chair.
You tilt your head ever so slightly until your cheek is pressed against the desk and you're looking up at Jihoon. You smile ruefully as you speak, your tone almost apologetic. "No to coffee. I think I want to go home and knock out for twelve hours."
You go on, "You should do the same. We've been in this studio for…" You pause like you're doing the mental math, and then a disbelieving laugh slides past your lips. "About thirty-three hours, Jihoon-ah."
Thirty-three hours is almost incomprehensible. Jihoon isn't even surprised, because of course, that's the kind of work ethic you've come to expect from an idol— but, thirty-three hours?
Jihoon's head is spinning. There's a strange, odd kind of haze settling around him, almost like he's caught between a dream and consciousness. He's tired, yes, he's more than tired, but Jihoon knows that he doesn't really need to go home to sleep.
Except he can't say no, not when your words are coming with all the weight of a command, not when you're looking at him like he's some helpless, pitiful wreck, needing some sort of care. He hates it.
He hates that you see him.
"Okay, okay," Jihoon says in a rush, standing from his chair. "I'll go home."
He's always known that any work done with you ends with him doing exactly as you say. You might have never said the words to his face before, but Jihoon isn't an idiot.
He's wrapped around your goddamn finger some days.
The thought that he's now more than willing to do whatever you want from him has never occurred to him before now, and it leaves him feeling slightly shaken, slightly unsure of everything.
It takes you both about ten minutes or so to get everything in order, then another seven minutes to head out of the company building. The relief Jihoon feels as you finally find yourselves outside is immense, even if it is a chilly, early winter evening.
You glance at your wristwatch before distractedly asking him, "You'll be okay behind the wheel?"
"'Course," he says as he fishes for his keys. For a moment, he contemplates asking if you want a ride home. It'd be out of his way, but it's something he's almost willing to bear.
Almost.
Instead, he forces himself to say, "See you. Take care."
You give the same pleasantries back before beginning your trek to the train station. Jihoon, for his part, finds his car in his designated parking space.
The drive home is the most boring and uneventful thing ever— except when Jihoon looks in his rearview mirror. The sight of you disappearing into the distance makes him feel strangely hollow and a bit wistful.
His stomach gives a weird, twisting lurch, and he's tempted to make a U turn right there and then and find a reason to be back in his company.
Maybe he'll tell you just how alone he can sometimes feel after an album is completed. How there's always this sort of lull in the days, hours after his work; how he fights it off by doing more work, even if it's not all that necessary.
He wants to ask if you ever feel the same way, too.
But you had never really been a part of that loneliness, and now you were leaving. And— just for the night— Jihoon can't help but feel more lonely than ever.
He doesn't want to be lonely.
He wants to be left alone, in a company of his own thoughts, with nothing and no one to distract him. But, for some odd reason, he wants you around.
It's almost too much to bear, so Jihoon turns the radio on louder and lets the sounds of music drown out the patter of his ragged heartbeat.
Jihoon and you are forced to reconvene a couple of days later, albeit on circumstances that neither of you are particularly fond of.
Sungsoo, the company's CEO and executive producer, is already seated at the head of the table when you walk in. Jihoon sees the way your eyes scan the meeting room; he tries not think too much of the way the tension in your shoulders seem to ease when you spot him.
The sight of you makes Jihoon's heart do a little dance, which makes him want to both pull you close and run far, far away from you.
For now, he just gives you a nod of acknowledgement and shifts his eyes back to the older man sitting across the meeting table from the both of them.
You sit across from Jihoon. Sungsoo doesn't even bother to sit; he merely launches straight in to his agenda.
"Good work on SEVENTEENTH HEAVEN," Sungsoo says right off the bat. Jihoon knows it's more of a cursory greeting than anything; there was always going to be more than just a pleasant compliment.
The other shoe drops soon enough. "I think there's more work to be done, though, specifically on three tracks," the CEO presses on.
Three tracks.
Jihoon feels his jaw clamp tightly. He's been through these kinds of corrections before, of course, both from himself and the company. Sungsoo says things about the lyrics of Back 2 Back, and the organization of Yawn, and the chorus of Diamond Days.
And while Jihoon has been through this, has needed to take things apart or put stuff together to appease the higher-ups, it's never any easier. His hands are clasped tight, and he's trying his best to hold himself together, but on the inside, he wants to scream.
This is a part of him. These are all parts of him, big and small, and it's always just a bit of a jab— to have his heart put in someone else's hand, and then to watch that heart be poked and prodded for the sake of... what? Commercial gain?
At one point, Sungsoo pauses to look between Jihoon and you. "Are you not going to take notes?" the older man asks.
You respond before Jihoon can. "Rewrite the second half of Back 2 Back, tweak the instrumentation balance and structure of Yawn, adjust the rhythm for Diamond Days' chorus," you rattle off. "I— we got it, sir."
"Right. Good," he says, and Jihoon doesn't like the condescending tone that Sungsoo uses with you, but at least it's not aimed at him.
The older man sits back in his chair, and Jihoon lets his eyes drift away from the company boss just for a moment to look at you. A strange feeling fills him. He wants to name it appreciation, wants to claim it's nothing more than a little admiration.
But then he'd be lying to himself. Because that warm kind of feeling shifts into— just a little— something a bit more than what he's supposed to be feeling for a co-producer.
Before he could dwell on this thought any longer, Sungsoo clears his throat and Jihoon quickly tunes back in. He's not thinking about that right now, and that's final.
The meeting wraps up not too long after with some parting reminders on deadlines and the upcoming comeback. Jihoon can tell by the look on your face that you're a bit dazed, and Sungsoo's parting words only add gasoline to the fire.
The CEO says both your names as he readies to dismiss you. "The two of you are a good pair," he notes, and Jihoon almost short-circuits.
Pair.
Right. A good pair of co-producers. Not anything else, not anything more.
Both of you mumble your appreciation for the CEO's remark. And Jihoon, like the fool that he is, feels that warm, fuzzy glow bloom again. He doesn't care what it signifies; at the moment, he's just too happy to work with you again.
By the time you head back to his studio, there's not much that either of you can really say. Marathon edits were not new to either of you; you both slide in to work mode without much preamble.
The music starts playing and the edits start pouring in, and the five or six hours spent on the three tracks fly by without Jihoon even noticing it. It gets to the point where he's working on autopilot— one hand on the mouse, fingers flying across the keyboard.
The thing about working on autopilot was that it made the process quicker but left little room to feel or think, which was both a blessing and a curse.
At the six-hour mark, he finally deigns to glance at you. Your gaze is focused on the digital audio workstation as you cut some low frequencies from the guitar on Diamond Days, but there's a slight quiver in your hands as you do it.
While Jihoon doesn't see what you're having trouble with, he can sense that you're off. He knows the signs of stress and exhaustion better than most, what with the hours he puts in.
"Aigo," he calls out to you, and his voice is a little raspy— hoarse— because he's been humming and singing for the better half of the evening. "Are you okay?"
"Still in the green," you say wryly. You had a bit of a traffic light system to refer to when talking about how far gone either of you were.
He watches intently as you implement the changes to Diamond Days, as you give a disapproving shake of your head at the revision. Still not to your standard.
Of course you wouldn't be at the red light stage— not even close, he muses. But in Jihoon's head, there was already one foot on the red light spectrum— and it wasn't just because of the revisions.
"Let's take a break," he suggests.
The idea comes out of absolutely nowhere, even for him. A break—? When was the last time he had voluntarily done that?
Jihoon's been having more questions than answers lately, but he just chalks it all up to being stressed. And maybe a little tired.
Anything except what it really is.
This time, you actually do glance up from the workstation. There's mild surprise on your expression as you tease, "Yah, who are you and what have you done to the indomitable WOOZI?"
"Huh?" he deflects. For a brief moment, he almost feels a little shy around you.
"I'm just bored," he explains, and he's surprised that he can lie so well and sound so casual. "You don't need to come if you don't want to. I just wanted to get some air."
But of course you're coming, already pushing back against the table at the rare invite from Jihoon. "The usual?" you prompt.
To others, a 'usual' might have indicated a trip to the cafeteria, a smoke break on the sidewalk. But Jihoon and you both hated the company's food and neither of you smoked, and so your breaks were spent somewhere a little more unorthodox.
"The usual," he agrees.
He leads you across the company building, the walk to your destination full of comfortable silence. Eventually, you make it to your designated break place: The company's rooftop.
Jihoon takes his usual seat at the far end while you sit closer to the ledge. The atmosphere is thick and humid from the weather, but there's a breeze to keep the heat bearable.
When Jihoon said he wanted to get some air, he meant it quite literally.
He doesn't want to give away his real intentions on calling for the break. Still, he can't help the question that slides out of him as he watches the glittering lights of Seoul beneath the two of you.
"Are you feeling better now?" he asks, glancing at you.
"I am," you answer quietly, your gaze still fixed on the city. "Thanks, Jihoon-ah. I needed this."
He almost smiles. "Of course."
This was the first time since he's met you that he'd asked you to do something just because he thought you needed it. And it isn't long until that fact has Jihoon wondering why the heck he's been putting things off so much lately.
He doesn't get to mull over his thoughts for long though— not when there's a sudden urge to do another thing that he realizes he hasn't ever done.
He takes out his phone and opens up the camera app. "Yah," he calls. "Look here for a second."
You do as he asks, glancing over your shoulder, and the soft click of his phone breaks through the white noise of the city below. When you let out a surprised laugh, he thinks it's the second best thing he's ever heard. Only after music.
"What are you doing?" you chide, a bit of a giggle in your tone as you raise your hand— palm facing Jihoon— to your face, as if trying to shy away from the camera.
"I don't know," he admits. A laugh tumbles out of him, and he knows he's blushing— but he's not ashamed of it this time, not really.
"It doesn't have to mean anything," he assures you. He holds in a chuckle at the way you're blocking your face and snaps another picture.
Maybe he's delirious from all his work. That has to be it, he thinks, as he clicks away despite your sputtered protests.
"Alright, fine," you huff, feigning annoyance. And then— oh.
You brace your hands against the ledge and tilt your head to one side so you can flash Jihoon an easy, practiced grin. "Cheese," you sing-song.
It takes quite a lot of willpower for Jihoon not to just sit and stare, that strange feeling welling inside of him coming to fore. He's not proud of it, but it's there, and the fact that there's something about you that makes him feel this way makes everything a little bit more complicated.
"Cheese," he agrees, taking just one more picture of you.
He knows he's smiling too hard, his eyes turning in to crescents with just how damn fond he feels to be snapping photos at your side.
You can never tell from the expression on his face, but he's wrecked with the knowledge that he had just done three things he had never done before:
He's asked you to do something solely because he thought you needed it.
He's taken a picture of you (with your knowledge, this time).
And he's let this thing he has for you be so in control of him.
It's a damning thing, he muses as he tucks his phone away. What would happen next was up to the universe.
Admittedly, it almost all felt like a test, and Jihoon is terrified he had failed.
But then you reach out, your hand casually resting atop of Jihoon's. You don't clasp your hands together or intertwine your fingers. You merely keep it there as you cast your gaze back down at the city, like you're giving Jihoon a chance to pull away.
It's almost instinctual, how he turns his hand over and links his fingers together with yours. His fingers are longer, so your fingertips curl over his and you’re left holding his hand for the first time.
You don't say a thing about it. Jihoon tries to rationalize the action on your behalf. Maybe you're just delirious and tired, too. Maybe it's cold and you need something to hold on to. Maybe, maybe, maybe.
All the while, his heart thumps in his chest.
Did he even deserve this? Was this okay?
Would it be okay if he just sat there, looking down onto the city, holding your hand and nothing more?
His brain refrains the earlier remark he'd given you. It doesn't have to mean anything. It's just a hand in his, a quiet evening, a moment that will eventually pass.
It doesn't have to mean anything, but why does Jihoon want it to?
Back in the studio, neither of you say a word. Not about the photos of you that Jihoon now has in his phone; not about the way you initiated holding his hand. Not about how the two of you held on for just a bit too long before heading back from your break.
The two of you do what you do best: You throw ourselves in to the last of your work.
It takes you two a record of fifteen minutes to fix what had been wrong with Diamond Days, and then some twenty more minutes to make sure the three other tracks are alright. Jihoon does the honors of sending them over to Sungsoo for some final checks.
Once the email goes through, you lean back in to the couch of Jihoon's studio. "And now we wait," you exhale, sounding equally exhausted and elated.
With your work for the day done, it feels like whatever veil of formality had held the mini-album together is broken— and you're now just two people in Jihoon's workplace, tired, and done working for the day.
Jihoon stretches his arms out and sags against his chair, letting out a groan.
"And now we wait," he repeats. A beat, as he keeps his eyes trained to the ceiling. Then, softly, he adds, "You did good, you know."
He sees you glancing at him from the corner of his eyes. "You, too," you offer quietly, sincerely. "You did well, Jihoon-ah."
His eyes remain on the ceiling, his mind taking him back to how it felt when your hand rested atop of his. It had felt strange and it had felt good— and the fact that you'd so boldly initiated it in the first place made it even better.
The thought that there was a possibility of it being a one-time thing made him almost want to cry, for whatever reason.
It's just so weird, and Jihoon has never felt like this before. He's never caught in a complicated sort of feeling like this. But the way you'd held his hand was different— and the more thoughts he thought about it, he realized that your touch was different from the touch of anyone else's.
"Can we talk for a second?" is all he finds himself able to ask, and it's a surprise to him— considering how much the two of you have never talked about things that were just about you and him.
Still, he wonders that perhaps now, with everything that's happened here, there was something he needed to tell you. Something he wanted you to know.
He hears you shifting on the couch, spots a corner of your lip quirking upward in a show of interest. When he fully turns to look at you, he notices the way you've braced yourself against the back of the couch to meet his gaze.
"Sure," you say. "What's on your mind?"
Jihoon rubs his hand over his mouth as he thinks of a way to articulate his thoughts.
There are so many words here that don't need to be said. There are some words that he wants to say but that you simply don't need to hear.
There were a lot of things he wanted to say, but he needed to filter them very well because he wasn't sure if they'd cause a misunderstanding.
"I'd like to keep doing this," is what eventually comes out.
His fingers find his earlobe out of nervousness. His heartrate only seems to spike when you stare back at him for a moment, your eyebrows raised like you're waiting to see if he'll elaborate.
And so elaborate he does. "All of this," he goes on. "Producing for the group, collaborating with you, just… seeing you and talking to you and… having you around."
It feels a bit weird to express after three years of working alongside each other, but it's also the first explicit admittance Jihoon has made abut wanting to keep up your collaboration.
He's not surprised when you try to pass it off with some humor. "I'll stick around for as long as you'll have me," you say almost jokingly, but there's almost a desperate weight of truth in your words.
Jihoon sighs, his expression tightening. There was a whole lot he wanted to say to you— he wanted to make a lot of things very clear— but he also wanted to keep whatever was blooming between the two of you going.
He tries not to dwell on it. Not now, with his feelings as fresh as they were.
"I've been thinking," he starts, his voice quieter now. "Maybe we could… get to know each other or something. Spend the day together— away from the company. Away from this life. Just as… two normal adults."
Another pause.
"Are you asking me out on a date, Jihoon-ah?" you kid after a torturous minute.
Jihoon goes quiet for a moment, the gears turning in his head.
He really was asking you out on a date, wasn't he? How would he even spin this as something simple and innocent?
What had he been expecting in return when he asked you? Why did he ask in the first place if it wasn't to actually find out who you were and why you were the only person he could really say he wanted to spend time with?
Questions, no answers. He's going to go insane.
"You know what," he blurts out before he can lose his nerve. "Yeah. Yes, I am asking you out on a date."
You're both stunned in to silence, and you look like you're just about to say what you should. A 'no'. Something about this not being proper.
But then there's a faint ding from Jihoon's laptop, and he glances over just in time to see that Sungsoo had responded in the affirmative to your revisions for the group's eleventh mini-album.
A stuttering, relieved breath escapes you. Jihoon, for his part, lets out a huff, his shoulders falling. He hadn't even meant to ask you out on a date; he was only going to ask you to spend the day with him.
Now, though, it was out in the open. And he'll be damned to take it back.
"Looks like we're free now," he muses, far too prideful to let Sungsoo derail this conversation. Jihoon's voice is edged with hope as he goes on, "So, what do you say?"
Jihoon has no way of knowing this, but you admire his persistence. When you laugh, it's what changes your mind, what privately convinces you to take him up on his offer.
Because Jihoon had still somehow managed to make you laugh despite it all.
"You know what? Okay," you say readily, one shoulder raising in half a shrug. "Let's go on a date next week, Jihoon-ah."
It would definitely beat sitting in Jihoon's studio, alone and bored, until Sungsoo had sent over their next project.
"Okay," he repeats, his lips curling in a tentative smile. "I'll let you know what plans I come up with, then."
"Alright." You're already rising from the studio couch, preparing to take your leave for the evening.
As you gather your things, Jihoon tries to look back at his workstation instead. Like the sight of it might somehow give him the answers to where to take you, what to do, how to go about all this.
You pause at the door of his studio. "Text me," you say.
It's nothing short of a miracle, how Jihoon is able to respond "I will."
And then you're gone, but the loss doesn't feel as prominent as it usually does. Because now, Jihoon has something to look forward to.
He doesn't remember the last time he allowed himself to be so selfish.
His thoughts over the next few days are consumed with the upcoming date.
Everything he does seems to center around how the date will go, where he'll bring you, and how he would survive a day in your presence without completely humiliating himself.
He takes his time planning. By the time next week rolls around, he's a mess.
His ears are burning as he dials your number and presses the call button.
Your tone is casual on the other line. "Hey, Jihoon-ah," you greet. "What's up?"
Jihoon takes a moment to just hear your voice. He internally groans at how a simple what's up already has his heart rate picking up like nobody's business.
"Hey," he finally says after he gathers himself, his free hand shoving into his pocket. He's pacing his apartment bedroom, fighting for his life to keep calm. "I… just wanted to call about tomorrow."
When you respond, your voice is cautious. "Sure. What about tomorrow?"
There's a slight pause again, and Jihoon can already feel the sweat forming on the inside of his palm.
Surely, you wouldn't think he was calling to cancel? Why would he have waited until the day before?
"Just needed to ask you about something," he admits, his free hand coming up to fiddle with the hair on one side of his ear. "I just wanted to… ask a question. Uh…"
"What… are you going to be wearing?" he finally spits out, his face already going red as the words leave his mouth.
Why the fuck can't he be cool about this? Why can't he be casual and chill about the date and about seeing you? It's so goddamn frustrating— he needed to get a handle on himself and soon, he thinks with despair.
"Oh. Uh…" From the other end of the phone, you seem to be shuffling around. "I was actually going to ask what our plans were," you admit rather meekly. "So I can dress accordingly."
Jihoon's eyes widen, and for a moment, he feels even more like an idiot than he usually does.
You had no idea where you were going, he realizes, and as a result— you had no idea what to wear.
"Oh… right," he says, mentally facepalming himself. He was supposed to be the one giving you information, not the other way around. "Yeah, okay. That makes sense."
He takes a second or two to collect himself, because— God, he did not want to mess this up. If you found out about the amount of work and effort he'd put in this thing, you'd definitely laugh at him.
"Nothing too formal, but don't be super casual," he says slowly. "You'll want a jacket, maybe. And wear comfortable shoes."
He takes another deep breath, steadying himself before he adds, "And I'm going to pick you up at ten. Is that alright?"
Jihoon's instructions are a touch on the vague side, but you don't seem to mind as you let out a huff of amused laughter. "Dress warm, comfortable jacket and shoes, ten in the morning," you repeat. "Okay. Got it."
You go on, "I'll text you my address. I— we've known each other so long, but I don't think you've ever come over, have you?"
Another good point. Jihoon and you spent most of your time at the company. There were rare occasions where you'd join the group's post-comeback celebrations with the rest of the staff, but those were always at some rented-out restobar.
"Yeah. Well. Just text me, then," he says lamely, already mentally berating himself for how much of a fool he's acting. "I'll see you tomorrow."
"See you tomorrow, Jihoon-ah," you bid, and he can hear the smile in your voice.
Just like that, Jihoon's heart rate picks up again— except this time, it's not just nervousness he feels.
There's that strange sense of anticipation, the slight thrill of excitement he gets with the mere thought of seeing you the next day, and he nearly lets out an exhale to quell all those feelings.
"See you," he says finally, his voice barely above a murmur.
And then suddenly— he's hanging up, the realization of everything finally settling on him. This was actually happening.
He sits on his bed for a moment, just mulling over the conversation, before he lets himself fall back onto the mattress in horror. He had just hung up, hadn't he? Did he even say goodbye? Did he even say something nice? He was a mess.
He lets out a long, pitiful whine in to a pillow as he wonders for a second or two if he should call back just to say good night to you properly.
In the end, he decides against it. He didn't want to come off as desperate and it was pretty likely that he'd just dig a deeper hole for himself.
Still, he can't help but let out an annoyed, strangled sound as he turns to look at the ceiling.
He was going to have to put a lot of effort if he didn't want to embarrass the hell out of himself.
Come the next day, Jihoon is standing outside your apartment at exactly ten in the morning.
He knocks almost tentatively, and he's only a little surprised that you swing the door open without missing a beat.
You flash him a smile in greeting. "Come in," you say, ushering him in to what he can only describe as uncharted territory. "Can I get you something to drink? Water, juice?"
He's so tripped up over how you look— the smart-casual outfit, focused on warmth, as he'd advised— that he almost misses the offer.
"Ah," he stutters. Barely a minute in and I'm already done for, he thinks ruefully. "Do you have— cola?"
You give a small sound of assent as you move further in to your apartment, towards what he assumes is the kitchen. "Make yourself at home," you call, and Jihoon is left to bear witness to your space.
It looks very much like that of an artist's. There's floor-to-ceiling corkboards on almost every wall and a blackboard full of chalk markings— bearing everything from concepts to half-finished lyrics.
You have bookshelves groaning under the weight of music albums— Jihoon sees a number of SEVENTEEN's— and instruments crammed in to nooks and crannies.
He suddenly remembers how, for some reason, you had never really let him come over to your apartment before. And now, he understands why, because your apartment almost felt like a reflection of your own brain— chaotic, but brilliant. It was a creative genius's studio, and it was more than just a little bit captivating.
You return with a can of Coke. "It's a lot, isn't it?" you muse.
Jihoon shakes his head. It is a lot. But also— he knows how gifted you are, knows how driven you can be. Seeing it here, so openly on display, has something stammering in his chest.
"Is this all your work?" he asks a moment later, still glancing around. "Is this… everything you've been working on? You've been keeping it here?"
"Not all of us have separate studios," you shoot back. There's an easy smile on your face, indicating that you're just teasing.
When you seem to realize that your initial jab hasn't answered Jihoon's question, you amend, "It's not all of my work. You should see my childhood bedroom back in Jeju."
"Jesus," he says with a slight chuckle, his fingers pressing around the metal of his soda can.
He doesn't know why the thought of your childhood room in Jeju having more of this surprises him. But, then again, that was just the kind of person you were. An ambitious, freethinking, creative genius, the same qualities he'd grown to appreciate over time.
And now he was about to go on a date with you. How the hell had he gotten this lucky?
He isn't quite sure what compels him. All he knows is that the question, almost rhetorical in nature, is out of his mouth before he can reel it back in.
"You really love music, don't you?"
The question seems to throw you off-kilter, but you recover surprisingly fast. You're thoughtfully smoothing out the patches on your denim jacket as you retort, "I love it about as much as you do."
If it had been any other person, Jihoon might have scoffed, might have privately thought they were cocky or just outright lying. But it's you, and his heart twists in to a knot at the thought of how willing he is to accept that cardinal truth.
That you and him loved music in equal measure.
In a hopeless attempt to collect himself, he shoots back his soda in several big gulps. The carbonated drink burns as it goes down his throat; he forces it to stay down.
"We should probably get going," he prompts once he's done with his drink.
"Right, of course."
You go to throw away his empty soda can for him, and the way you move makes it abundantly clear that you're unaware of the effect you have on him.
As the two of you step out of your apartment and find your way to Jihoon's car, he can only hope that it won't be that long of an afternoon.
Despite the way he keeps both hands on the steering wheel, Jihoon can still feel the nerves racing up and down his spine. He's nervous, excited, his emotions a mess as he tries to get himself together.
He can't believe that after years of talking about music and just working together, after all this goddamn time, you were finally going on a date together.
The car radio is just a touch too loud, which is to be expected, considering that it was Jihoon's vehicle. You have to pitch your voice above it to be audible.
"Where are we going?" you ask as he peels in to traffic.
"You'll see when we get there," he responds.
The disapproving pinch of your expression draws a laugh out of him. He doesn't give you the opportunity to press any longer as he fiddles with the radio dial, upping the volume just a touch more.
He'd planned this date carefully after spending far too much time agonizing over all the details. He was damned if he wasn't going to keep some things in the dark.
It's a quiet drive for the most part, with only the radio keeping the silence from being too deafening. But, frankly, Jihoon isn't too bothered by the silence because it gives him ample time to collect his thoughts, to try not to focus on the way your hand is right there, a few inches away from his on the gear shift.
He keeps his eyes on the road, keeps his expression neutral, and keeps his cards as close to his chest as possible.
Once Jihoon is finally pulling in to a parking lot, he manages to find his voice. "We're here," he notes, like it's not the most obvious thing in the world.
He waits a moment for you to also unbuckle your seatbelts, and only then does he climb out of the car. He quickly walks around to your side, pulling open the door for you and gesturing for you to follow him as he crosses the parking lot.
"What is 'here', exactly?" you ask Jihoon as you walk up to the building in front of you. It looks rather unassuming; nothing on the outside giving out what it might be. Just white walls and a sign outside that's still too far to read.
Jihoon catches the way you try to make out the sign, and he can't help but find himself feeling a touch flustered because goddammit, was he allowed to find everything you did endearing?
He clears his throat before finally answering. "A planetarium."
Now, Jihoon definitely doesn't miss the way your eyes widen, nor the small tone of excitement that betrays the otherwise casualness of your voice.
"That's cool," you say with your hands shoved in to the pockets of your jacket. "Never been to one before."
He can clearly see how excited you'd gotten just at hearing where he'd brought you. And, frankly, it just makes his pulse race all that much more.
"Well, let's go in and have a look then, shall we?" he offers, his voice a little on the quieter side as he tries valiantly to not mimic your excitement.
As you approach the building façade, the signage comes in to better view. It boasts of an immersive planetarium experience, but what stops you dead in your tracks is a note tacked on the front door.
Closed for a private event.
"Oh?" you're saying, a slight edge of disappointment in your tone. "It's looks like it's—"
But before you can finish your sentence, the door is pulling open, and an important-looking man— the manager— is already stepping up to address Jihoon.
"Mr. Lee, right on time," the employee greets with a bow. "We've set everything up for you."
The oh that escapes you, this time, is a lot softer.
Jihoon can't help the small grin that immediately works its way across his lips at your reaction. He'd been hoping to catch you by surprise, and he can tell that it worked.
He gives a polite, somewhat formal half-bow in return to the manager before glancing over his shoulder to you. There's a hint of smugness in his voice as his gaze lands on you again. "C'mon," he says as he starts making his way in to the planetarium.
The inside is mostly dark; Jihoon gives his eyes a moment to adjust to the change. There's no one else here but the two of you, and Jihoon isn't really complaining about the emptiness. It just means he can have you all to himself, without having to worry about having anyone else around.
He can hear your footsteps, following behind him, and he has to mentally remind himself to keep himself together before he finally glances over his shoulder at you.
"Surprised?" he teases, the ghost of a smirk making its way on to his face.
He revels in the look of awe on your face, the way you all but ignore him to pull a couple of steps ahead. You're surveying the lobby like it's already the main exhibit, and Jihoon has the sudden urge to rent out every gallery in Seoul for you to see.
Your next words are one-two punch on Jihoon's poor, poor heart. "I think you've got some nerve, Jihoon-ah, pulling out all the stops on our first date," you muse, your face still upturned to the entryway.
Jihoon almost trips right over his own two feet as the casualness of your words registers in his mind.
Multiple dates. You were implying that there might be multiple dates to follow. That you wanted there to be multiple dates.
He takes a quick breath, trying to maintain any semblance of a nonchalant attitude as he responds. "What?" he says, the smirk just a touch more shaky on his lips. "You think this is 'going all out'?"
He continues to walk, catching up to you a few moments later. "I'm offended. How dare you think that I'd settle for anything less than perfection."
"If this isn't 'all out' yet for you," you quip. "I'm a bit nervous as to what is."
He only responds with a small chuckle. "You'll see."
He leads you to the next room over, and this particular one is far more darker. The only source of light is from the projector against the back wall, projecting a constellation map on the opposite wall.
Jihoon glances over his shoulder once more, watching the small look of wonder on your face. He leads you to a small couch in the center of the room before sitting comfortably beside you on it.
His face is partially illuminated by the lights of the projector, and he can clearly see the way you're taking in everything around him.
"You like it, hm?" he gently prods, watching you again.
It's a lot to take in, honestly. The high ceiling, the projected constellations, the lights dancing across both your faces. Even the way the room has been rearranged— the single plush couch, the type that allows you to recline and gaze up at the faux sky of constellations— is all so damn good.
"I like it," you concede, your voice barely above a murmur. You speak like you're scared that talking any louder will break an illusion. "It's— yah, Jihoon-ah. It's so pretty."
In that moment, Jihoon almost forgets how to breathe.
There's something so soft and gentle and fond to your voice as you speak, and the way your words came out almost reverently does something to Jihoon that he couldn't quite explain.
"Pretty," he repeats, eyes still trained on you. "It is, isn't it?"
The two of you sit in comfortable silence for a long time; Jihoon still watching you instead of the exhibit. You didn't just say it was pretty. You'd said it with words and tone and expression that told him just how much you loved it.
Christ, he was a goner. He was far gone for you.
After what feels like both an eternity and a second at the same time, Jihoon finally shifts his gaze away from you, glancing up at the ceiling above him. He's quiet for a few more moments before he finally speaks again.
"Y'know…" He starts, the sound of his voice just a touch quieter than usual. "When I was a kid, I always thought the stars were my favorite thing."
Jihoon glances over at you again, noticing the way you were still practically enchanted by the projected stars above you. It makes him bite back a small, amused smile, before he continues.
"I used to sit out in the field by my house and count them, name them, make up my own stories for each of them. I thought they were the most magical, most incredible things in the whole universe."
He thinks of his home back in Busan, the way the moon reflected over the sea water. He thinks of a version of him from lifetimes ago— a boy he'll never be again.
He almost misses him.
Jihoon lets out a soft huff. "And then I got older, and life got really shitty and busy, and..." His voice falters a bit. "The stars were no longer as important to me as they were before."
He exhales, the sound filling the quiet room. He can feel you listening, can feel you taking in every sincere word of his. And that's enough. That means something.
"But..." He goes on quietly. "Sometimes, there are moments that come, and the only things that matter are the stars again."
It's just like Jihoon to spew something poetic without pretense or shame. In his peripheral, he sees you glancing at him, and it takes everything for him to not let this feeling overwhelm him.
"I hope you have more moments like that, then," you say, your voice equally soft.
There was something so endearing about the sentiment you'd said, and he knew that you meant every word of it. And that made it all so much worse for his heart.
He's so whipped, it almost makes him want to laugh.
This is one of those moments, he almost says. Even if it's not real stars.
He can't help it anymore. Despite all the times he's had to keep up his usually cool, calm demeanor with you, despite his usual attitude, despite his usual shyness, the urge is just too much and—
He slides his arm around your shoulders, pulling you a little closer.
That was one thing the stars could do: Give him a bit of courage.
When you don't resist his gentle tugging, he figures he can do just one more thing.
His free hand moves to your chin, gently coaxing your head up so that you’re looking at a specific point up at the ceiling.
You're so focused on the stars, you barely even register the sound of Jihoon’s voice again.
"The most special stars," he murmurs. "They all have names."
He’s still speaking into your ear, and you can feel his warm breath against your skin. "That one," he says, his voice like gravel. He slowly, carefully tilts your chin up just a little more. Coaxing you to look up even further. "Is my favorite."
His calmness is belied by the fact that his heart is a jackhammer in his chest. All he can do, really, is try to get you to look at one of the larger stars that's almost dead center in the middle.
"Why is it your favorite?" you inquire, the genuine curiosity in your tone almost mistakable for breathlessness.
"It's the brightest star in the entire sky." His gaze darts between the star and your face, the shadows of the room hiding the way his chest tightens at the sight of you listening intently. "It's called Sirius."
His voice is still soft, but there's a new note to it that you've never heard before. It's quiet, reverent, almost like he's about to tell you a secret.
"The Romans called it the 'dog star'," he continues. "Because it's the brightest star in Canis Major, the big dog constellation."
He lowers his head a little so that his chin is almost resting on your shoulder, and his arm around your shoulders tightens just a fraction.
"But to the Chinese, it was known as the 'heavenly river commander'," he goes on. "And the Arabs called it the 'chief star in heaven'."
Jihoon is getting nervous, now, but he has to do this. He has to.
It feels like the first flicker of a neon sign as he goes on, "To all those different people, it was all of those things. To me—"
He pauses, feeling the words stick in his Adam's apple.
The brightest star in the night sky.
For the longest time, Jihoon had wondered whether he would find something to call it, too. The closest he's come has been the boys, his music.
But that felt like an understatement. They weren't just a group, after all; they were his whole life. And so it was more apt to describe them as the universe, as the entire planetarium.
Which left him with the brightest star—
"To you?" you repeat, tilting your head back to meet Jihoon's gaze head on.
"What's it called to you?" you prompt.
In the relative darkness, he can't read you as well as he might have wanted.
It doesn't matter. It doesn't change what's he's going to say, anyway.
He gives you his answer—
He says your name.
And then he leans in— his heart at your feet, all yours for the taking.
#jihoon x reader#lee jihoon x reader#woozi x reader#jihoon fluff#woozi fluff#jihoon imagines#woozi imagines#jihoon x you#woozi x you#svt x reader#seventeen x reader#svt imagines#seventeen imagines#ylangelegy buzz x svt#( GOD. so much longer than it's meant to be )#( part two? tbh very unlikely. we must just imagine the happy ending. LOL )#(💎) page: svt#(🥡) notebook
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Combatting the "illiterate/dumb/insert classist assumption here" headcanons being circulated about Zaunites (particularly Vi) with my own headcanons.
Headcanon that Zaunites are actually super into literature and poetry. Like, culturally. Headcanon that music and poems were there for them when they had nothing else. The bridge song is the only song we hear being canonically sung by a character in the show and it's literally baby Powder (and Vi hums at the end of s2). The only other songs being played in-world are all by Zaunites. Art is a form of expression that they took refuge in as a community.
Headcanon that they generally love storytelling. Regardless of if they do or don't have access to books that are in good and preservable conditions, storytelling (via reading or memorization/orally) is a super important part of their culture. No one population has a 100% literacy rate even IRL, and not being able to read doesn't make anyone stupid anyway. But Zaun has a decently high literacy rate, especially considering their circumstances. They prioritize it because of how fundamentally important art/storytelling is to their culture.
Headcanon that Ekko and his Firelights tell stories to the kids at the base every night before bed. That a lot of these tales are from people he loved, like Benzo or his birth parents, or even Vi, Jinx, Mylo, and Claggor.
Headcanon that Vi in particular loves reading. She's a total bookworm. The few moments where she gets to do things for herself, she chooses to read and collect poetry and literary works. She's only ever kept one classic for herself (sold the others), but the things she keeps, she treasures. Young Vi likes to spin tales for baby Powder. Some are based off of stories she's read/was told by the adults in her life. Others are entirely made up on the spot, for Powder's own enjoyment.
Headcanon that Vi would've maybe wanted to be an author if she wasn't more preoccupied with protecting her family. That she considered pursuing those interests a pipe dream, something for a different version of herself.
Headcanon that Sevika remembers more about her dad's stories than about her dad himself. Headcanon that Renni the chembaron read books with her son whenever they both had a day off from work.
Headcanon that a lot of Zaunites know how to sing. Headcanon that Vi can sing. And that she used to sing lullabies for Powder until Mylo called her a baby for still needing them. And even after Vi punched him for it, Powder insisted she was too big for lullabies- so she and Vi settled on bedtime stories.
Headcanon that Jinx still remembers those stories. That she tells them over and over to herself whenever she can't sleep.
Headcanon that Silco told her stories when she became comfortable enough to tell him about her insomnia as a kid.
Headcanon that he would tell her anything from true stories of his past to things he's read or heard to things improvised on the spot. And they were different from Vi's stories because these usually had some moral/message to them, even the ones that he made up- but she loved them just as much as the aimless, endless tales of wonder and adventure Vi would spin for her.
Headcanon that now, she replays both Vi's and Silco's stories in her head at night. That when Isha came into her care, she shared some of those stories with her, too.
#arcane#arcane fandom critical#critical of you weird fucks who dont remember vi can canonically read#arcane critical#headcanons#arcane headcanon#arcane s2#stop saying weird shit to advance your ships#anti caitvi#for the record because those caitvi posts were the worst offenders of this#vi#jinx#ekko#sevika#silco#vander#zaun family#vi headcanons#jinx headcanons#silco headcanons#zaun#zaun culture#zaun headcanons
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Moments caught between Harry and Y/n on camera at the Brits
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just something fun because harry at the brits was a mess but we love him for it!
Young Dad! Harry Styles x Young Mom! Reader Masterlist
The red carpet is loud and raucous, bright lights flashing as people shout for the attention of celebrities. One couple in particular is the center of attention the second they step on the carpet.
Harry Styles and a woman walk arm-in-arm, a broad grin on his face and a shy smile on hers. Harry seems to be whispering something in the woman's ear, his nose pressed against the crown of her head. It makes her visibly relax, her grin widening and becoming more authentic as they take a couple more steps.
The woman is the recently revealed Y/n Styles, Harry Styles' long-time partner that he'd somehow kept from the rest of the world for over a decade. But she was here tonight, just as she had been at the Grammys a couple weeks ago, and the cameras now track their every move, intrigued by this new-ish couple.
"Harry! Harry! Harry, over here!"
"Y/n!"
"Harry, did you really marry Y/n when you were in One Direction?"
"Y/n, how does it feel to be with the most famous man in music?"
Y/n, who's hard to miss in a red dress that fits like a glove, shrinks almost imperceptibly against Harry's side. Harry looks down at her, and the husband and wife share a look as if they're having an unspoken conversation.
Then he mutters something to her, and Y/n laughs as Harry kisses her cheek, but not before nudging his nose against it. The shouts double, so used to Harry's stoic approach to being out in the public eye, but both of them move steadily down the carpet, not paying the paparazzi and reporters any mind.
*.*
During their walk down the red carpet, Harry and Y/n come across a barricaded section for fans of the artists in attendance. They all cheer as each celebrity walks by, shouting compliments and proclamations of love for their favorite.
Y/n once again hesitates on Harry's arm, wary eyes darting toward the boisterous fans. At the same time, Harry is called to by a reporter asking for an interview. Checking in with his wife, he departs with a kiss to her forehead, murmuring words the cameras can't quite pick up.
Y/n stands on her own, one arm crossed over her stomach as she tries to stay standing tall. Fans call out to her from the barricade in a way that's difficult to ignore. She waves at them with a small smile, but it's clear they want her to come closer.
With one glance at her husband, who's still speaking with the reporter, and another to a security guard close by, she nods to the latter and they step closer to the barricade, just close enough in proximity that she can actually make out distinct voices and words.
"Y/n we love you!"
"Where did you meet Harry?"
"How long have you been together?"
"Ugh, you are so mother in that dress!"
"What's your skincare routine?"
"What's Harry's?"
The tense set of her shoulders eases a bit, no longer apprehensive of the fans and their potential to be cruel.
"I feel like I met him a lifetime ago," she says. "And I just cleanse, moisturize, and use SPF."
"How come we've never seen you at shows?"
"What's your favorite Harry song?"
"Are you friends with One Direction?"
"Where were you last year when Harry got wasted?"
Y/n chuckles at the last question, her eyes lighting up as her hand covers her mouth. "I've always had a soft spot for 'Ever Since New York.'"
"Taste!" a fan yells, decibels louder above the rest, which garners laughter from everyone.
"Can you make Harry release 'Medicine?'" another asks.
Before Y/n answers, Harry appears by her side, an arm snaking around her waist. "There you are. Got sidetracked by your own interview, did you?"
"They were just asking if I'd help them in their quest for a studio version of 'Medicine.' I'm not sure if I can, though. They don't know how stubborn you are."
A chorus of boos went up at Y/n's answer, but not at her. Harry raised his eyebrows at his wife as if in challenge, but her responding gaze is quite mischievous.
Taking everyone, including Y/n, by surprise, he leans in to kiss her cheek, saying, "Have I told you how beautiful you look tonight, darling?"
A chorus of aww's ring through the small crowd of fans as Harry places his hand on Y/n's lower back, ushering her away from the barricade. Y/n raises an eyebrow at her husband, who is conveniently not meeting her eye. "Nice save."
"I don't know what you're talking about."
"You never call me darling."
Harry lets out a snort. "Lies. Lies on the red carpet tonight."
Y/n rolls her eyes but leans in close to her husband, carefully avoiding the fabric flower around his neck. "Mhmm. Let's go, darling."
*.*
An artist is being interviewed inside the O2, and Harry and Y/n are videotaped in the background.
In the very corner, the couple are leaning in close and talking, a drink in each one of their hands. Harry talks animatedly, gesturing with his drink to the point where it nearly spills on Y/n's dress. Y/n doesn't seem to mind and just throws back her head as she laughs. His eyes light up as he watches her, a word that could only be described as love encompassing his face.
*.*
During one of the performances, a camera pans to Harry's table. The house lights are dim, but he's still visible amongst the flashes of color from the stage. Harry sits in his chair, body slumped a little low so he can rest his head on Y/n's shoulder.
Both of their attention is on the performer onstage, not noticing as a few cameras are pointed in their direction as Y/n scratches the back of Harry's neck absentmindedly. He leans into her touch, looking up occasionally to say something to his wife.
*.*
"And the winner is...Harry Styles!"
Cheers erupted throughout the room, the table Harry is at standing up. Harry himself stays seated and curls in on himself, pumping his arms victoriously as he beams. His eyes are a little glassy, his hair unkempt, a sign that the night has progressed with lots of alcohol consumption.
He turns to his sister Gemma first as he stands up, high-fiving her before giving her a hug and fist-bumping someone else. Then he turns to Y/n, who hasn't stopped clapping since his name had been read for the third time from the envelope.
She opens her arms as if to accept a hug, but Harry has other plans. He leans forward and kisses her in a way that's merely pressing his smile against hers until they mold their mouths into a kiss. Then he kisses her cheek repeatedly, making her shoulders bunch as she smiles brightly.
When Harry finally pulls away, Y/n's cheeks are flushed as she tries to wipe at her husband's face with her thumb. With one last kiss, he heads up to the stage to accept his award.
*.*
Another performance, only this time, everyone is on their feet, including Harry and Y/n.
Harry's arms are wrapped around Y/n's shoulders from behind, his chin on her shoulder. Both of them sway from side to side to the rhythm of the song as Harry mouthed the words in Y/n's ear.
Her grin is wide as her eyes stay trained on the performance. Then, she looks back at Harry, who met her gaze as she says something.
Nodding, he kisses her once on the cheek before nodding back to the stage.
*.*
As Kid speaks into the microphone onstage saying his thank yous, Harry is having the time of his life behind his friend as he speaks to Stanley Tucci.
By now it's a little obvious he's had more than a couple drinks. His hair is nothing short of a mess, his dress shirt is a little more unbuttoned than it had been to begin with, and he throws his head back and laughs in a way that is fueled by drunken delight.
Briefly, the camera turns to Harry's wife, who stands beside Gemma. Y/n's hands hold her face as she watches her husband be ushered offstage by the people around him. She giggles a little before leaning over to Gemma and shaking her head. Gemma laughs along with her, covering her mouth as she says something to the woman beside her.
The camera flashes back to Harry, who turns around one last time so he can blow a kiss to the crowd, more specifically, Y/n, who the camera catches covering her face in her hands, cheeks as red as her dress.
*.*
Paparazzi shout at their latest persons of interest as they make the brief walk from the car to the entrance of a club where the after party for the Brits is being held.
Harry's arms are tightly wrapped around Y/n's waist, face set as he ignores the crowd of people shouting for his attention. Y/n, turned slightly inward towards Harry's chest, keeps pace beside him. Most of her body is covered by what can only be her husband's suit jacket, but with the open front, a hint of a sparkly pink dress can be seen, a drastic change from her award show attire.
The only time they separate is when Harry allows Y/n entrance into the club first before following close behind, his hand once again protectively hovering over the small of her back.
*.*
Photos are strictly forbidden inside of the club, so it isn't until the couple emerges from the doors once again that they're spotted.
Neither of them stumble, though paparazzi wouldn't have cared if they were. All eyes are on Harry's disheveled hair, the heels dangling from his fingers, the suit jacket draped over the arm not around his wife. They're on Y/n, whose dress is completely on display, the beading that covers its entirety flashing with every snap of the camera's shutter.
Then the collar of Harry's silk dress shirt shifted, revealing a harsh purple bruise that hadn't been there before. Neither Harry nor Y/n seem to notice, or understand why the cacophony of shouts became louder, they just continue on, Y/n's hand on the nape of her husband's neck idly scratching until he helps her into the car.
Following suit, Harry climbs inside. For a brief moment, Harry sticks his head out the open window of the car and winks and sticks his tongue out at all the photographers. Y/n appears from her side of the car, leaning across her husband to bring the window up. Not an ounce of care in the world, he leans forward to kiss his wife's exposed jaw. With an exasperated expression on her face and a delicate wave of her fingers, the window goes up, and though the windows are tinted, a hand is visible against the glass as the car peeled away from the curb.
#harry styles#young dad! harry#young mom! reader#young dadrry#young parent!harry styles#harry styles blurb#harry styles x reader#harry styles fanfic#harry styles oneshot#harry styles imagine#harry styles fanfiction#harry styles x you#harry styles fluff#harry styles writing#harry styles one shot#harry styles fic
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pain is all you'll find [Sylus/Reader ★ 630 words ★ Masterlist ★ Series Index ★ AO3] It was karaoke night at Onychinus’ base. A/N: I am so, so sorry. I have no excuses for this one. It’s just full-on crack.
It was karaoke night at Onychinus’ base.
You didn’t even realize Onychinus had karaoke nights, but here you were in a room surrounded by other henchmen all applauding and cheering its fearless leader as he wailed—er, sang—the fourth song of the night.
You grimaced, and chugged your bottle of beer, wishing the alcohol would just take effect already. Beside you, Luke and Kieran were also happily (and soberly?) applauding Sylus. They couldn’t possibly be enjoying his cat-yowling rendition of Careless Whisper, could they? It was honestly hard to tell since the twins refused to remove their masks. The masks were probably there to hide their suffering, you thought grimly, unable to think of any other plausible reasoning in your semi-tipsy state.
When you turned your sight back to the TV screen and the current talentless singer hogging the mic, your cheeks pinked up when you made eye contact with Sylus and he winked at you. For just an instance, you felt your stomach flipped, captivated by his smoldering eyes and suave smile.
And then he opened his mouth again. You mentally screamed in agony, wondering why a good person like yourself was being punished so cruelly like this.
You wanted to bury your head in your arms, or maybe suffocate yourself with these tacky looking throw pillows at Onychinus’ base. Hell, you would even happily let Mephisto peck your eyes out if it meant ending this torment. How could someone with a great—no, sexy—speaking voice not be able to carry a goddamned tune? God truly had a very particular sense of humor, you realized, as you forced a stiff smile and shakily gave Sylus a thumb up.
When the song finally ended (dear god, why did he pick the extended version?), you finally let out the breath you were holding in. You politely clapped and smiled, thinking Sylus was about to return to his seat next to you, but you instantly froze mid-clap, face paling as you watched him scrolled through the song list once more.
He smiled. You worried.
Your ears bled as he rasped the first three verses, before belting out: “Hello, is it me you're looking for?”
Onychinus henchmen were clapping and cheering, and you couldn’t take this anymore. You leaned over to both Luke and Kieran, hissing sharply, “You guys can’t possibly be enjoying these murders on classic songs, right?”
You blinked, dumbfounded, when Luke casually pulled out an earplug.
“Did you say something, Miss Hunter?”
Kieran pulled both of his own earplugs out. “What’s wrong?”
“You guys have been…”
“Oh, damn,” Luke said, reaching into his pocket, “I forgot to give you yours. My bad, Miss Hunter.”
You curiously received a pair of earplugs and you looked up, seeing Kieran motioning you to put them on. The moment you did, you realized that silence truly was golden. You cracked a grin to the twins.
Suddenly you found you were enjoying Sylus’ performance more. All eye candy and not a fucking tuneless sound out of him. Thank fucking god, you thought, this time joining Luke and Kieran in their zealous cheering.
Everything went on well for a few minutes, but unfortunately, the night seemed to drag on, and everyone watched with dismay as the leader of Onychinus showed that he had no intention of letting anyone else have the mic. Your brief moment of faux enthusiasm died down after each song he performed until you could do nothing but mentally sighed as you clapped like a trained seal with your stupidly rigid smile plastered on your face.
You watched the lyrics danced on the TV screen as Sylus ‘sang’ along: Welcome to your life.
You mentally groaned for the umpteenth time. It was going to be a long, long fucking night. Goddamnit.
#love and deepspace#love and deepspace sylus#love and deepspace fanfiction#lnds fanfics#love and deepspace x reader#sylus x reader#x — fanfics#i may be a child of the 90s#but idk why i made sylus sing 80s songs don’t ask#(・-・)#but giant digital cookie to you if you can guess the three 80s songs featured (you got one freebie)#no one asked but#luke and kieran would do a duet and sing and dance to momoland’s bboom bboom#no real reason other than i like the song and choreography and they would absolutely slay 💅
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On making a Welsh version of the entire story of King Arthur:
No Lancelot and No Affair. PERIOD. And absolutely no compromise or cheating on this one: you cannot turn anyone else (coughBediverecough) into a Lancelot analogue. You must sacrifice the Love Triangle completely - no "duty vs. love" drama. You're going to have make do without that conceit. You must exercise your own creativity and forge a different dramatic conflict for Arthur and Gwenhwyfar, if at all.
Supplementary to the above: Divorce is legal.
Arthur is at the forefront. Sometimes, Cai, Gwalchmai and Bedwyr is the focus of a particular adventure, but Arthur is a Man of Action, who often outdoes his own warriors. And in particular, he may not even be a King - he may even just be a military chief (Wleddig, Ameraudur or Dux Bellorum), freeing him up to rove around.
Giants, not fairies, as the primary supernatural race Camelot interacts with. Next to that, Saints and Deities come afterwards.
On the legal side: Celtic Law is Tort Law - a weregild system is at play, known as Saraad (Insult/Honor Price) and Galanas (Injury/Homicide Price). Livestock as a measure of wealth. Inheritance system is Gavelkind (although tribal politics may come into play. See Tanistry).
Emphasis on Poetry, Song and Poetic Speech. Englyns are recommended. Bards as serious authority figures.
Be liberal with the supernatural. Mystical items are always fought over and Knights have cyneddf, or mystical abilities.
The Grail Quest has to be whole sale rewritten and given a new mythos: it's either "The Raid on the Otherworld" where the story is about the capture of a mystical Cauldron (Preiddu Annwfn). AND/OR. It's the Peredur version of Perceval, involving a Severed Head instead of a Grail - Maybe its Bran the Blessed himself! - and possibly a battle with the "Nine Sorceresses"
Exceptions to the "No Affair" rule: Medraut and Melwas. The former requires commitment to Traitor!Guinevere and the latter ends with Arthur winning and taking back Guinevere, whether Melwas lives or not.
The Fall of Camelot - There 3 options for how it should unfold without Lancelot: a) defaulting towards Historia Regum Britanniae's version of events. b) the Gwenhwyfach feud. And c) Non-Traitor Medraut ending. The first, similar to the No Affair exception, requires commitment to Traitor!Guinevere. The second involves establishing Gwenhwyfach as a character in her own right. The third and last is the most difficult: the writer must concieve a sufficiently satisfying third party as an opponent for Arthur and Mordred for a tragic last stand.
No Incest. Medraut remains Arthur's Nephew.
No Villain!Morgan
Optional for the above: Iddog Cordd Prydain as an instigator for the hostilities between Arthur and Medraut
As an extention of the "No Lancelot" rule, No Lady of the Lake and No Galahad either.
Arthur assumes the throne through normal means - No Sword in the Stone or Sword from the Lake. Kings Lot and Urien are allies all they way. Excalibur/Caledfwlch is part of a set of Three Holy Weapons, the others being Rhongomyniad and Carnwennan.
Exceptions to the "No Affair" rule: Edern ap Nudd as Guinevere's lover. Highly unrecommended, either for potentially establishing a Love triangle (defeating the whole purpose of removing Lancelot) and for potentially resulting in Arthur's early, non-Camlann death.
Trystan and Essyllt potentially do not end in tragedy (Total omission of Brittany, Isolde White Hands and the Black Sails motif) (Writer's choice). Although Mark could still treacherously kill them both, ala Prose Tristan.
King Mark as potentially Conomor the Cursed.
#spur of the moment and off the top my head#on how a genuine welsh version of the Arthur epic would have to play out#let me know if anything is missing or something is incorrect#king arthur#arthuriana#queen guinevere#arthurian mythology#arthurian legends#arthurian literature#welsh mythology#welsh arthuriana#my thoughts
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Tanita Tikaram - Twist in My Sobriety 1988
"Twist in My Sobriety" is a song written and performed by British singer-songwriter Tanita Tikaram, born in West Germany of Indo-Fijian and Sarawakian Malay origin. Released as a single in October 1988 when she was 19 years old from her debut album, Ancient Heart, it was Tikaram's biggest international success, achieving top 10 placings in several European countries. The song reached number two in both Austria and West Germany. It peaked at number 25 on the US Modern Rock Tracks chart.
Speaking about the somewhat obscure and enigmatic lyrics, Tikaram has offered different views on their meaning, but said it's mostly about the particular relationship with the world one feels when entering adulthood. "The song is really about not understanding – when you're 18, you've got a very particular emotional relationship with the world, you feel very isolated, and everybody else is so distant and cold. And I think I was singing about not feeling anything or not being moved by things around. I think this is a strong feeling when you're just after adolescence."
"Twist in My Sobriety" was nominated for two MTV Video Music Awards; Best Female Video and Best Cinematography. It was also nominated for Best British Single at the Brit Awards.
In 1989, the song was covered by Liza Minnelli. In 1996, a remixed house version by Ramp with a much faster tempo was included on the compilation The Best of Tanita Tikaram and was released as a single to promote the album. The single peaked at number 82 in the UK. In 2001, the song appeared on the soundtrack of the film Bandits, starring Bruce Willis and Cate Blanchett. In 2023 it was covered by the Norwegian symphonic metal band Sirenia.
"Twist in My Sobriety" received a total of 69,1% yes votes!
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